I was checking out my painting queue, and - inevitably - I came back to a pile of mounted figures which are stuck until I find out how to assemble them. These figures are mostly (though not all) from
Hagen Miniatures, and they are splendid little figures, but they are all the work of the demon sculptor, Massimo, who likes to produce his horses without reins.
Here's an example - this is part of a very nice set of French general staff - you can get these
from Hagen. Obviously, you simply have to fit reins, running from the bridle bit, round the rider's hand(s), draped artistically, depending on the action. What could be easier?
Well, my problem is that I cannot find a method of fitting reins to the horses which works for me - I've had so many harrowing episodes trying to solve this that I have now developed something of a phobia about it - I have managed to fit about 3 horses with reins successfully over a 3 year period, and there have been a lot more than 3 failures. In my project boxes, waiting to be assembled, I have 40 Spanish cavalry, 20 Portuguese cavalry, 10 French cavalry and about 30 or 40 assorted staff and celebrity figures, and none of these is going to make any progress at all until I understand what to do about it.
I have tried fuse-wire of various thicknesses (a couple of successes, but it is a nightmare to bend to shape, and won't take a sharp curve), cotton thread (a recommendation from Hagen - it sort of works, but it's hairy, man!), copper wire, aluminium wire (assorted thicknesses from 0.56mm to 1mm), lead foil from wine bottles, nylon fishing line (2 thicknesses)...
This should be a reasonable thing to achieve, I'm hardly a craftsman, but I have many years experience of hacking figures about, drilling, reshaping - my regular re-heading jobs in 20mm have caused my wife some unease for a while now. This reins issue has me flummoxed, and no mistake.
Any sensible or wise suggestions as to how I may shape up and get on with this? All help would be most welcome. Solutions involving superglue just cause an exasperating mess - even with the official accelerator, the bloody stuff is hopeless.
I've even had a look at some online sites which describe how to tie fishing flies, which I thought might be useful, for techniques and materials, but this is getting well away from the topic. Anyone done this? A few kind words could change things quite a bit...!
Topic #2 - a Painting Story
I'm currently painting batches of Les Higgins French infantry - I've been lucky enough to get some welcome assistance with painting lately, but this work will be ongoing for a while yet. I was reminded of another occasion - many years ago - when I was painting Les Higgins Frenchmen, which makes me wonder whether my life has progressed at quite the rate it should have, but no matter.
This story is set in a flat I once had in the Marchmont area of Edinburgh, which must date it pretty accurately to about 1974, I guess. I had a phone call from my friend Allan, who was a regular wargaming opponent and buddy at that time. This was on a Friday, when I was at work. Allan was expecting a visit from an old pal, and was going out drinking with him on Saturday evening - if I was up for it, they would call for me and we could go up to Chic Murray's at Bruntsfield Links.
Fine - I was up for that. Saturday came and went, and no-one called and no-one rang. That's OK - I've been stood up before. On Sunday afternoon I was finishing off some wargames figures (the aforementioned Higginses) when the doorbell rang. It was Allan, with his friend Lammy.
Lammy was originally an Edinburgh man, but Allan had met him in Zimbabwe some years before. He now lived in Gibraltar (I think), and was back in Edinburgh for his mother's funeral.
[His name, I should explain, was Lawrence, but he was called Lammy as a reference to a long-forgotten kids' radio programme called "Larry the Lamb" - I could tell you wanted to know this.]
Lammy was a bit loud for me - drink had obviously been taken already, and he was definitely a tad bumptious.
"Ah - painting...!" he roared, and he sat down at my painting desk, switched on my old Anglepoise lamp and produced a folding magnifying glass from his pocket - he began to study my paintwork.
I wasn't very comfortable with this at all - my painting was probably effective enough from the opposite side of the table, preferably in very dim light, but I was not happy at the prospect of a serious review. Allan explained that Lammy was a very keen figure painter, and regularly organised and judged painting competitions at his club in Gibraltar (or wherever it was). That didn't make me any more relaxed at all, especially when Lammy began to announce his findings...
"Hmmm.... Aha!... Hmmm... Gosh..." and then, more alarmingly, "Oh dear...."
"I take it this is a line regiment?" Lammy directed his question at Allan, who nodded to me, with his eyebrows raised. I realised that I must still be there, after all.
"Yes," I said, "they are the 76e Ligne, they are intended for the Peninsular War in about 1811."
Lammy was delighted - he tipped his head and looked at me sideways, like Hercule Poirot making an accusation. If he'd had a moustache he'd have twirled it.
"You realise, of course, that only Guard regiments had brass fittings on their muskets? The line had steel, so this is incorrect. Why did you paint brass fittings...?"
I was getting a bit hot and bothered at this point, but Allan cut in, very smoothly.
"No, it is not incorrect. The 76th Line had been on service in Martinique, as you will probably be aware, and my guess is that Tony has assumed, very reasonably, that they will have brought their muskets back with them. Of course, the muskets issued for colonial service were of superior quality and had brass fittings, like the Guard's."
"Erm - oh yes, of course..." said Lammy, and he excused himself to visit the toilet before we went up to Chic Murray's.
I was very impressed, and said to Allan, "How did you know that stuff about the French colonial service? - I just thought all the muskets had brass."
"I know next to nothing about French muskets," said Allan, "but I can bullshit with the best of them. Lammy is a very indifferent painter, to be blunt about it, and not much of an expert, so just nod and say yes when it seems appropriate. It'll be fine."
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Edinburgh drinking-places of the 1970s - this was a good one - lots of after-hours darts matches, and they had a fantastic mynah bird that used to swear at the customers... |