Pottery Buildings - probably getting a bit silly now

I mentioned recently that I was not going to buy any more Tey Pottery buildings on eBay, since I have enough for my ECW wargames/sieges (in fact I am going to get rid of a couple of the less useful items) and, to be honest, I'm running out of storage space for the beggars.

I did, however, admit to a strong fancy to get my hands on a specimen each of Anne of Cleves' House (Lewes) and the Mermaid Inn, both of which looked splendid but regularly sold for far more than I was prepared to pay. Sure enough, I was lucky enough to land a nice, cheap example of Anne's house, but I held little prospect of getting the other one, which is much coveted (by proper collectors, in fact) and seldom seen.

Well, last week I was very surprised to see that some fine fellow was selling two Mermaid Inns on eBay simultaneously, at very reasonable starting bid prices. With little hope of success, I placed a modest bid on one and - by Jove - I won it. Even more surprising, the other did not sell at all.

The Mermaid Inn - three views

So here we have the Mermaid Inn, which I understand is in Rye, East Sussex (anyone ever drink there?). I have washed the spider poo off it, but have yet to "improve" it to the house standard, which means detailing the chimney tops, obliterating the pub sign over the door, repainting the ivy on the back (maybe that's the front, mind you...) and applying matt varnish, to get rid of that fearsome shine. This, of course, is why I have to avoid contact with the aforementioned proper collectors...

The real Mermaid Inn dates back to 1420 or thereabouts, though I understand the beer taps have been cleaned regularly since then. A fine addition to anyone's 17th Century town, I would say.

Storage - hmmm. I reckon I'm going to have to get rid of some of my Lilliput Lane houses to make room for these. That is definitely the end of the Tey collection - definitely. I have consciously resisted the urge to make a bid for the (even larger) Alfreston Manor, which is currently on eBay.

So there you have it.

More Pottery Buildings - and another mystery church

Though the rate of arrival is now officially reduced, a few more ceramic "ornament" buildings for my ECW towns have sneaked under the wire of late. From the Tey Pottery "Britain in Miniature" series, I'm now really just keeping an eye open for particularly good bargains on a couple of odd buildings which I fancy; I was very pleased this week to get a very cheap example of the splendid Anne of Cleves' House (Lewes), in excellent order, and at a great price, since the collectors normally really go for this one, and prices are usually around £40 to £50 on eBay. Scrooge McFoy, naturally, did not pay anything like that amount.

I also secured a couple of nice churches - these are not from Tey, but are similar in style, and were made as part of John Putnam's "Heritage" series.

The first is, apparently, a miniature of St Michael's Parish Church, Blackawton, Devon, which building dates from the 14th Century.

The other is simply labelled "Church with Tower", which is certainly true, but the configuration with the narrow circular tower (spiral stairway?) joined onto the central square tower is a bit unusual. Anyone recognise the church? - it really doesn't matter, obviously, but I am gently interested.

All these pictures are lifted straight from eBay (for which thanks), and the buildings will be retouched (a little) and matt varnished (a lot) before they appear on any battlefields.

So - no prizes, but does anyone know the unnamed church?


***** Late Edit - Footnote *****

I've only recently become familiar with these ceramic miniature buildings, so I know very little about them, and don't really wish to know more than I need to understand to get a feel for the ranges and their availability. I am not, I remind myself, a proper collector, since I wish to use them in my toy soldier games rather than deploy them artistically on the piano. 

In case you care, Tey Pottery was founded by Carol Maxted-Massey, who produced various styles of ornamental pieces, at one time working with her brother. The factory was initially at Marks Tey, Colchester, though they later moved to 3 separate factories in Norfolk (at Hainford, Lenwade and Banham). They produced teapots, animal miniatures and painted tiles, but they also produced ranges of miniature buildings - I am particularly interested in the Britain in Miniature series, but there were others (usually smaller in scale), and they also did a number of out of catalogue or special order pieces which appear on eBay from time to time. Out of interest, I obtained a pdf history of the maker, so I have a better understanding of what is out there (and some of it is marvellous). Ms Maxted-Massey moved to Spain in 2002, and production ceased at that point.

John Putnam was a teacher who took early retirement in the 1970s so that he could concentrate on his great passion for ceramic modelling and sculpture. His output included his "Heritage" range of buildings, which became very popular. His factory was at his home, a farm near Blackawton, Devon (hence the choice of the church model illustrated above). His work was popular in the USA, so in later years he travelled to New England in order to add some American buildings to his range. John Putnam died some years ago, and his family moved to Totnes - I believe the pottery concern still exists, but whether they are still trading, and whether any new pieces were ever added, are unknown to me. 

Tey Pottery Buildings – Another Back-Door Collection

A couple of people have expressed interest in the ceramic buildings which I used in my ECW siege testing a couple of months ago. For the most part, these were made by the Tey Pottery company, now defunct, which operated from various locations in Norfolk. The range of which I seem to have become an accidental collector is the Britain in Miniature series, which suits my purposes admirably.

Tey Pottery "Britain in Miniature" - Grannie would have been delighted. The
white-backed buildings in the background make effective town blocks - the
textured-all-round items nearer the camera are more suitable for standalone pieces

I didn’t really need another unofficial collection, but I am pleased with what I’ve obtained, and have consciously cut down on purchasing now, in the sense that I am very picky about what I go for. I note that at the start of this year I wasn’t sure at all about the viability for the wargames table of items primarily intended for your grannie’s sideboard – these are ornaments, let’s make that quite clear – pottery knick-knacks, and they are neither serious models nor exactly accurate.

Some points (for and against) and things to watch for, if you have half a mind to acquire some of these miniatures:

(1) They suit me perfectly – they have a cheerful, almost playful brio which I find very appropriate to accompany toy soldiers – the Britain in Miniature (BiM) series are (mostly) to an approximately constant(ish) scale which I would describe as “smallish 15mm”. I deliberately use underscale buildings with my 20mm figures, because the smaller footprint is more acceptable (given the constant paradox of incompatible ground and figure scales), and because I believe a cluster of undersized houses looks more like a village than a single representative structure which matches the figure scale.

(2) Tey’s BiM range – if you are selective – will fit nicely in a 17^th Century setting. The buildings are, mostly, what in ship model terms would be called “waterline” representations, without bases or landscaping, and can be combined into effective town blocks which would be difficult and expensive to achieve otherwise. Be careful with sizes – the churches are too small for my taste, and the Countryside Collection and a few others contain smaller-scale items – anything which is obviously a generic cottage usually will not match.

(3) They are readily available and splendidly cheap – on eBay you can pick up nice examples for just a few pounds (they are available on US eBay, too though slightly dearer). Typically, I obtained lots for about 3 to 5 pounds each, and was the only bidder. On occasions, an attractive off-catalogue or commissioned item will attract heavier bids, so I normally duck out when the going gets tough. It’s only a hobby, for goodness’ sake…

(4) They are ornaments – they are delicate (though not too bad, if you store them sensibly) and they are glazed to a high gloss. Being a very bad person, I give them two coats of acrylic matt medium – if I need to do any touching up, or obliterate any anachronistic shop or pub signs, I can do that with acrylics between the varnish coats. I expect serious Tey collectors to be outraged by my destruction of their collectors’ value by this varnish business, but these things are plentiful, the value is not great and they are mine anyway (heh heh) – consider it equivalent to converting original Hinton Hunt figures!

(5) Some serious bad news – many of these pieces are untextured and plain white on the back, so have to be placed with care to make a convincing street scene, but this doesn’t cause me any difficulty. This can be a fairly confusing aspect of collecting Tey buildings – some of them are textured and painted all round – these tend to be detached-style buildings rather than sections of town blocks – and I mostly go for these now if I can. Some of the buildings have changed during their production history, so I have (reluctantly) been forced to learn more about the catalogues than I might have wished – in particular, Anne Hathaway’s Cottage appeared in a number of versions, some of which had plain white backs and some, like mine, are finished all round. Yes, I know, this is getting nerdy. 

So, overall, if they suit your purposes (or porpoises – thank you, Jonathan), these guys are cheaper and handier and quicker to deploy than wargames-specific  resin buildings, lighter and more robust (and less irritatingly cute) than Lilliput Lane or David Winter houses (though I cherish a fair few of those, too), and I find they bring a pleasing, colourful vibe to my siege activities, which really benefit from a bit of scenic interest. I still need specialist Hovels houses and similar, but as a bulk buy to make an easy, flexible town the Tey houses are great. Buy them selectively, keeping a careful eye on sizes and they do a nice job. For matching churches, I have found the most satisfactory source is the products of Sulley’s Ceramics, but these are rarer and more expensive.

At a whimsical level, I find it deeply amusing to set up a town which features Shakespeare’s birthplace, the Bronté family’s parsonage, the Rows of Chester, the Siege House (Colchester),  John Knox’s House (Edinburgh), and all manner of famous tourist sites – all in the same spot. Fantastic – I should wheel out one of my miniature tour buses to show off the rich heritage! I am cutting down on watching eBay now, but I keep an eye open for Anne of Cleves’ House, the Mermaid Inn and a few others. No – of course I am not a collector.

Hooptedoodle #228 - A Few Days Away

View of the bridge over the Dee at Chester - yes, the actual bridge by which
Charles I left the city after the Bad Day at Rowton Heath - legend has it that
they put up sheets of hide to conceal his departure - you'd think the townspeople
would have suspected something though, eh? 

We spent a few days this week in Chester and in Denbighshire - very pleasant. As part of our fitness preparation for the Alps we walked up Moel Famau, in the Clwydian Range, and of course it rained - but why would you want to walk in the Welsh hills in atypical conditions?

Once again I had a vague idea about stretching the Welsh bit of the trip to include the battlefield of Montgomery, but it was really too far for the time we had available, so I shall content myself with a tabletop game based on Montgomery in the near future (note for self). Considering the wealth of good eating and drinking places in Chester, I was a bit unlucky to get a touch of mild food poisoning on the first night, so my diet was largely bottled water and Immodium tablets for the next few days, but I survived.

We hit crazy traffic queues on the way home, on the M6, on Friday, but otherwise we had no logistical problems at all - very easy travelling. Here are a few pictures - just to give a flavour of our trip!

Bunter Sandstone - the reason why Chester is a red city, and the reason why the walls
need constant refurbishment - the stuff weathers quite rapidly. The Victorians did a
lot of improvement to the walls, which is the sort of thing the Victorians did, and
they often destroyed the real history while they were about it, but in this case
there would probably be no walls left at all if they hadn't.

The King's Tower - formerly the Phoenix Tower - from which Charles I
may or may not have been able to watch the Rowton Heath disaster unfolding

And suddenly I find someone has put me in my miniature Tey Pottery ECW
siege town - Chester's Rows - as you see, the place has had a coat of paint and a
few new businesses have opened up...

Just a brief moment of hope for us old guys, and then you realise the place has closed
down. The worst bit is the notice you can't read, which states "SORRY FOR ANY
INCONVENIENCE". Not with a bang, my friends, but a whimper.

Please take note

We called at Conwy to visit the castle, which is a phenomenal place

The lovely, peaceful town of Ruthin

Back to my siege town - here's the original of another of my Tey buildings -
this is Ruthin's Old Courthouse - now a bank

Monument to a local hero - the racing driver Tom Pryce, who was killed
in a freak accident at Kyalami in 1977

This, of course, is one of the chief reasons we were in Wales - pleasing view
of the Clwydian hills, taken from our B&B, on a farm near Pwllglas, about
4 miles from Ruthin. These are not very spectacular, really, but it's a lovely area.

Foy the Younger on top of the Jubilee Tower, at the summit of Moel Famau.
The Victorians at work again - they felt it was necessary to build a tower
on the top to make the hill up to the full 2000 feet, so that it would class as a
mountain. This, again, is the sort of thing that the Victorians did, and they
saw fit to dedicate it to Queen Victoria, as a monument to their own
victory over Nature. Bless them. Last time I climbed up here was in 1963
(I am astounded to calculate), and the tower was a heap of rubble
- it's been restored since then, though it's a bit battered.

This may not be very high, but it's a rugged old puff up to the top! 

It was raining, of course, on the hills, but we were comforted to see that it was
mostly dry and sunny in the valley below.

More Old Crockery

My new collection of used pottery ornaments was recently on display in the photos of the ECW Siege of Middlehampton test game, and it attracted some favourable comments. As I've mentioned, I have taken a liking to Tey Pottery buildings, which were produced by a now-defunct firm based in Norfolk, were made in a fairly constant scale, in the region of what I would call 15mm, and are readily available at pretty low prices on eBay. I think this is a decent, low-cost way of getting in extra buildings - cheaper and less work than buying in resin castings and painting them up, and possessing a lot more charm and general brio than industrial MDF.

I have to put my hand up straight away and admit that I have been applying matt varnish to the things, in order to use them as wargame scenery, which should rightly appall any serious collectors, but am well pleased with the little 17th Century town centre I have built up with them.

The one obvious gap in my town is the lack of a cathedral, or at least a big parish church - in all of John Speed's town maps, the churches are the key points, and districts and town gates were commonly named after the religious buildings.

The off-the-shelf Tey churches are rather unimposing, but they also did special commissions, and one such appeared on eBay a couple of weeks ago. I was rather taken with it, decided I would be prepared to go as far as £12 or so to provide spiritual enrichment for my ECW townsfolk, and looked on as the auction closed on the Sunday evening. Hmmm. There was a sudden rush of interest at the last minute, and the church sold for £125 or thereabouts, which proves it was quite a nice church, I guess, but I hadn't thought it was as nice as all that.

Anyway - water under the bridge - I wasn't bothered, but I've kept an eye open to see if any similar items came up. Sure enough, one did, within a week - not Tey, this time, but a very similar size and format. This one stayed within my price range, I bought it and it arrived this morning.

I haven't got the dreaded matt varnish on it yet, but I thought I'd show it off a bit. The 20mm Les Higgins drummer in the picture would have to stoop a little to get in through the doors, but that's exactly the size of buildings I like, to keep the footprint down. This is from Sulley's Ceramics - new to me, very similar to (and frequently confused with, I think) Tey Pottery buildings - nice, isn't it? Maker's label on the underside gives an old-format UK phone number, which must date the model earlier than 1995 - I'd say 1980s, but I'm guessing.

The original church is in Suffolk, I understand - if anyone recognises it, please give me a shout! Also, if you recognise it as the trinket that used to sit on your mother's piano, give me a shout anyway.

Still in the Spares Box, with Mike and Whiskers

Whiskers developing his technique - in fact, I imagine Whiskers as rather more bald than this

Almost exactly two years ago, I scored one of my biggest-ever hauls on eBay, and bought in a load of ECW figures which came from the estate of a chap in Northern Ireland who had recently died - his entire collection, which was enormous, was sold by a local charity shop. I only bought a stack of his ECW troops - all SHQ and Tumbling Dice 20mm - but there were literally hundreds of them.

The big surprise at the time was that they had very obviously been painted up and organised to fight Montrose's campaigns - since that was exactly what I wanted them for, I had seen that there were a lot of Scottish troop types in the collection, but it wasn't until I started checking out the flags that I realised what I had.

The figures were quite nicely painted, in a very plain style, but I was a bit shocked to see that they had been heavily coated with some kind of ship's varnish - these figures were definitely intended to stand up to some severe, industrial handling, I would say. I set about identifying figures which would restore most easily, and which were of most immediate use for my Montrose project, and I did some retouching, and a great deal of applying matt varnish to tone down the finish, and rebasing, and I was pleased with the results. The episode generated a lot of very plain, rather dull Scottish and Irish soldiers, which provided a fine addition to bulk up the splendid Covenanter units which Lee Gramson had already painted up for me.

All good - I've done some Montrose things now, and intend to revisit this again soon. While I was spending a few late nights in 2014, getting these ex-eBay fellows ready for the armies, I got to know the previous owner a bit better. Of course, I have no idea who he was, but at 1 a.m. when I was preparing figures for the prescribed matt varnish I would find myself chatting to him - I called him Mike, in the absence of other suggestions.

"Well, Mike," I would say, "this one's got cat hairs stuck on the varnish as well - you should keep old Whiskers out of the painting room.." and so on. I developed a technique of loosening the cat hairs from the varnish with the tip of a penknife, and then removing them with tweezers. A strange way to spend a long evening - this is almost certainly why I started talking to Mike. As time went on, it became a house joke that I had gradually changed my mind, and that I now believed that Whiskers had done the varnishing himself - perhaps with a little guidance from Mike.

Well the horses are pretty ghastly, but they should paint up simply enough, and that
gives me the better part of two new regiments of rather understated Northern horse

Since I've recently been rooting around in the Spares Box, I found another load of the ex Mike & Whiskers ECW boys, and I realised that there are a lot more in the heap which would usefully restore in the same way. So for a couple of evenings I've been washing and debasing and removing the cat hairs. Since these figures are probably a bit worse than the ones I selected for refurbing last time, there are a lot more cat hairs - in fact I have now begun to believe that Mike did the varnishing, but that he applied the varnish with Whiskers, rather than a brush.

And oodles more artillerymen - just the job for the sieges - more than enough...

It's going OK - we are now ready for a bit of touch-up, and then the matt varnish can start. I need to paint up a few extra cavalry figures from scratch, to make up the numbers, but I hope to get a couple of additional Scottish/Northern units of horse out of this, and I will have more gunners than I will ever possibly need - certainly I will have plenty to man the forthcoming extra artillery for siege games.

Topic #2 - more pottery ornaments ready for sieges...

I previously gave a glimpse of some of my new Tey Pottery houses - this little side-project is shaping up very nicely, and I have the makings of a presentable 17th Century English town centre, such as I can lay siege to. So here's a slightly bigger glimpse...

More Siege Topics

I now have work in hand to produce effective trench sections, after some years of just thinking about it, and also to fabricate support pedestals to allow troops to man the city walls when their bases are deeper than the walkway – all clever stuff, but this will require a little while to produce something worth looking at.

In the meantime, I have been tinkering with some new pottery houses (all right – ornaments, if you must) which seem to be shaping up nicely to form a 17^th century town centre, and – since I had the brushes out – I have finally eliminated those ghastly red roofs from my Eco castle.

The Eco castle - now treated with RedRoof-be-Gone

I had been offered a wide range of advice – I’ve been urged to leave it alone, or completely repaint it, or do something in between, so I have produced a good British compromise – I’ve left most of the castle unaltered, and have repainted the roofs and touched in the windows to clean them up a bit.

I have also painted the swimming-pool coloured moat section under the drawbridge – it is now a charming shade of mud, and I poured in my new-and-trendy Decoupage medium, which – in theory – should set to form something looking like water. This last step isn’t looking too promising at present – the medium contains a surpising quantity of bubbles. The received wisdom is that these should disappear as the medium dries, but they do not seem to be doing this – which may be related to the fact that the medium does not appear to be drying.

Oh well – it may all turn out wonderful. If not, I assume that the medium will dry eventually in some form or other, and if necessary I can repaint and varnish or whatever. Let’s wait and see. I refuse to be pessimistic about it.

Down in the street in 17th century Chester, or some such place?

Just a glimpse of how this might look, with the old citadel looming in the background

Back to the pottery houses – these are the OOP Britain in Miniature series, by Carol Tey, who produced them in Norfolk for a while. Not all the range is suitable, but a few of the items are a useful size, and have a nice, stylised (almost playful) look which I think goes well with toy soldiers. They are, it goes without saying, my usual underscale mismatch with the 20mm figures, but they look OK (it also goes without saying). It is a dreadful thing to admit, but I am carefully applying matt varnish to these Tey houses – it improves the look enormously, though it would very much upset serious collectors. I have picked up these pieces very cheaply on eBay. It amuses me that the range is such that my besieged town is likely to contain a very high proportion of British tourist sites – all in one small area – Chester’s Rows, Ann Hathaway’s cottage, a number of inns and historic guildhalls from Norfolk – I even have my eye on John Knox’s house, which should fit in well, and no-one will notice…

Maybe.

I got hold of a good secondhand copy of Stuart Asquith's Guide to Siege Wargaming, and have been looking it over. Apart from the appendix in Chris Duffy's Fire & Stone, and the Battlegames articles by Henry Hyde which use many of the same mechanisms (especially the fast/slow time switch), all the books I have ever read about having a bash at a siege on a tabletop give you a lot of good information on how real sieges work, and more or less leave you to work this into a playable game yourself. This is the hard bit - that final step is a big one - it is the space where the PowerPoint slide says "at this point a miracle happens". Asquith's book is potentially good and useful, but it is of this type - there is a lot about sieges, but a few implied leaps of faith about making an entertainment out of the matter. No problem - I am quietly confident - I am seen to be smiling enigmatically.

One thing that this book certainly brings home is the dreadful loss which the demise of Gallia miniature buildings represented - there are many photos of Gallia fortress pieces and so on, in both 25mm and 15mm and they are - well, fantastic, actually. I've never seen such a thing on eBay - this book was published 1990 - I have no idea when Gallia ceased production - anyone know?