A Short Spell of Fiddling Around

I have figures to paint;  I have stuff to do. Hobby progress has been slow, in fact it would be easy to fail to detect any progress at all. I'm going away on Friday to sit in on some Field of Battle wargaming, which should be a valuable and worthwhile experience - not to say enjoyable. More of that another time.

Mostly, I seem to have been sidetracked into doing Real Life things. I guess that includes watching a lot of football, now I think about it - we may debate how real that is.

I have, after a lot of lamentable foot-dragging, made a start on playtesting my developing, homebrewed, grid-based, Napoleonic miniatures game, which has spent a very long time being redrafted over and over. My thanks, once again, to Jay for his patience and his invaluable input, and now my thanks are also due to Martin and Dan Sarrazin, in Australia, who have started doing some playtesting for me (using Commands & Colors kit in their case) and have shamed me into shaping up and getting on with it.

Anyway, I've had a few evenings lately of walking through the exact, detailed sequence of what happens when a unit breaks from a melee (for example), and how it is different when that unit was in square or in cover (for another example). Instructive. I always knew that this process was going to turn up the need for a lot more clarity, which is probably why I've been dragging my feet. I've got used to revisions of the rules becoming smaller as the draft stabilised. Getting the soldiers and the dice on the table is bound to reveal a mass of holes, but it's all good!

Unless the testing turns out to be a complete disaster (in which case the game may quietly fade away), I hope to be in a position to report on some actual battles using these rules fairly soon. As I keep reassuring people (including myself), the aim is not to replace Commands & Colors as my game of choice, but to provide a slightly less blunt instrument with which to fight smaller, more detailed actions. To get back just a little into the world of lines and columns, and all that, when it is appropriate to do so.

In the pursuit of more light on the tactical niceties, I was reminded that I really don't know how the British Army of Napoleon's day managed to operate without French-style attack columns, so I've gone back to some good old standby books to brush up a bit.

I've also been reading a new book - a sort of memoir of Franz Joseph Hausmann, of the Napoleonic Bavarian army. This was translated and annotated by Hausmann's greatgranddaughter, and edited by John H Gill. It's interesting, and does fill in a lot of the "what was it like?" aspects of service in that army. Franz was eventually a lieutenant in the 7th Line Infantry. From 1812 onwards he sent his father detailed letters of his experiences - his father was by this time invalided out of service in the same regiment, and was keen to follow the campaign in Russia. Prior to 1812, Franz's personal journals consisted simply of lists of each day's marches. Much of the interest derives from extra information provided by Gill, and from family stories supplied by the translator.

Anyway, it is interesting rather than spellbinding stuff, and it all adds some personality and context to my forthcoming Bavarian force.

Elsewhere - and this really is trivial - I finally tracked down a little portrait of General Anne-Francois-Charles Treillard, a French Peninsular War cavalry officer who commands a division in my collection of toys. Treillard is noted, among other things, for having an unusual number of alternative spellings of his surname (though "Anne" is consistent throughout all versions), and for being famously portrayed by Robert Stephens in my favourite movie, "The Duellists".

Gen Treillard

I know this is silly, but I do like to know the chaps in my little armies. I've got portraits of most of my French generals now - I didn't have Treillard, and I still don't have a picture of Maucune (the head-banger who largely screwed up Salamanca). Maucune (real name Antoine-Louis Popon, Baron Maucune) was eventually a rich and titled chap, and I can't believe he didn't have his portrait painted, though it is possible he may have been very hard to please in the portraiture department. If anyone knows of a painting of the Baron, or if you happen to live next door to the family, please give me a shout. All I have is some detail on the family coat of arms, and a photo of his tomb, at Père Lachaise.

Maucune's final rest