Something has been niggling me this last couple
of weeks. Something not quite remembered, but somehow familiar, if I could just
put my finger on it.
I finally remembered a few days ago. In
about 1970 I saw a film, Spring and Port
Wine, which starred James Mason - good film, in fact - of its time. A gritty
domestic comedy set in Bolton (Lancashire, industrial North West of England),
written by the excellent Bill Naughton. [It is interesting to recall, in passing,
that James Mason was born in Huddersfield, so, even though he was always Rommel
really, he did have some credentials for a provincial role.]
Anyway - Mason plays a well-intentioned but
domineering father - very heavy - and things come to a bit of a head when his teenage
daughter (played by Susan George) turns up her nose one evening at the herring
which is served up for her tea. With much preaching about how lucky she is to
have a herring at all, and how many people would be delighted to have such a
herring, the father decrees that it will be served up again tomorrow, and the
next day - there will be no choice. The damned herring will appear daily (presumably)
until she eats it.
Any bells ringing? At the time, we all
thought the father was a bit pig-headed, but what did we know? Nowadays, this
would be regarded as a valid negotiation, apparently. You will be offered the
same fish every day until you realise how wrong you have been to refuse it, or until
the alternatives become so unbearably awful that you change your mind.
I can't remember how the story line
developed - must watch it again - I can't recall if there was a
backstop Plan B to cover the possibility that she never ate it. Presumably the
father knew he was right, and that right would prevail. Strength and stability.
Must try and get hold of the film - I need to remind myself what happened...
***** (Very) Late Edit *****
OK - OK - a number of people sent me chasers - it seems that they, too want to know what happened in the end. Very sketchy synopsis follows.
Things become more tense, the herring disappears, mysteriously, both daughters leave home (the younger one, she with the herring problem, turns out to be pregnant). The mother pawns the father's best overcoat to get some cash for the younger daughter, the father finds out, goes ballistic and the mother moves out too.
Not before time, the father has some kind of inspirational moment, and he determines to change - he realises that his family are far more important than his principles. The film ends before he makes much progress, but we can see where he's headed.
As for the herring, it seems likely that the kid brother gave it to the cat. At this point, I'm struggling to sustain the extended analogy, so let's drop the matter and get back to the bunker.
***************************
***** (Very) Late Edit *****
OK - OK - a number of people sent me chasers - it seems that they, too want to know what happened in the end. Very sketchy synopsis follows.
Things become more tense, the herring disappears, mysteriously, both daughters leave home (the younger one, she with the herring problem, turns out to be pregnant). The mother pawns the father's best overcoat to get some cash for the younger daughter, the father finds out, goes ballistic and the mother moves out too.
Not before time, the father has some kind of inspirational moment, and he determines to change - he realises that his family are far more important than his principles. The film ends before he makes much progress, but we can see where he's headed.
As for the herring, it seems likely that the kid brother gave it to the cat. At this point, I'm struggling to sustain the extended analogy, so let's drop the matter and get back to the bunker.
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