Today I went into Edinburgh to visit a family member who is in hospital - he's had a long spell in there thus far, and it is likely to continue for a while. I took the train in (which means they were running today, obviously) and, since I was a bit early for 2pm visiting, I decided to go via the Tollcross area, and visit the Wonderland model shop. It was a decent sort of day, if a bit cold, so I walked fairly briskly from Waverley Station to Tollcross. Better and better. Makes it feel a bit less self-indulgent.
I enjoyed my visit to Wonderland, of course, though I didn't buy anything while I was there. I am rather annoyed to admit that I couldn't remember what it was I'd wanted to get! This must be an age thing, I guess - regularly, when I'm painting, I suddenly realise I could do with a pot of such-and-such a colour, and since Wonderland is my only local Vallejo stockist, I add the required shade to my mental shopping list. Well, chaps, the bad news is that mental shopping lists are no longer enough - for the second such visit in the last few months I found myself staring at the Vallejo racks with no recollection of what it was I'd wanted. Yes - agreed - written lists from now on.
On the way up to the hospital (still walking) I decided to get some small offering of biscuits or similar. The relative in question would really not appreciate grapes or anything healthy, in fact he might even throw them at me. So I found myself looking in the window of what I would term a "traditional" baker's shop. There, in the front, they had a tray of individual custard tarts, such as I have neither seen nor thought about in maybe 30 years. I am very partial to all sorts of cakes and buns, I must admit, but my all-time favourites are probably a bit poncey - I'm very fond of religieuses, sachertorte - stuff like that. Custard tarts do not normally feature in my hit parade.
However, there they were. A British Standard custard tart is a pretty solid fellow - egg custard in a soggy shortcrust case - the filling is commonly topped with grated nutmeg (probably to make it taste of something), though this is less popular in Scotland. I must have eaten quite a few in my time, but none of them was great, I think, and they were all a long time ago. Maybe they are still around, and in great demand, but my perception is that cakes from the supermarket these days tend to be packets of individually wrapped brioche buns with chocolate chips, or 5-in-pack "fresh-baked" cookies with embedded white chocolate bits, made with so much cheap sugar and palm oil that your face feels hot and your breathing gets muffled. Something has shifted - the global village does not seem to offer much in the way of a proper custard tart. This must be progress.
I bought a bag of doughnuts and went off for my visit.
It was only on the train later, coming home, that I started thinking about custard tarts. Hmmm....
I never really liked them, and I'm sure I still don't, but I'm going to have to get some just to prove it. You know how these things gnaw at you?
Napoleonic & ECW wargaming, with a load of old Hooptedoodle on this & that
Saturday, 12 January 2019
Monday, 7 January 2019
Spiritual Support
In my search for 15mm scenery which would suit the Danube campaign, I was disappointed to find that all known previous resin buildings are now OOP - JR Miniatures used to do the Essling Granary and the Aspern Church, as I recall, but no more.
After asking around after a suitable church, I found the best option was an HO model railway church made by Faller, which I obtained online from a supplier in Kiel. I reasoned that a 1/87 model of a small church might just about pass for a 1/100 model of a larger church. When I saw the kit the old heart sank (lots of fiddly bits, optional parts, minimal instructions, glue-in-place stained glass windows, and a general assumption that the user has done this before), but Goya very kindly built it for me, and here it is, with 20mm figures to give a sense of proportion.
There is a plan for a trip up north next week, to fight Day 1 of Aspern, so the church will travel with me. I never go anywhere without a church.
Thanks again, Goya - nice job.
After asking around after a suitable church, I found the best option was an HO model railway church made by Faller, which I obtained online from a supplier in Kiel. I reasoned that a 1/87 model of a small church might just about pass for a 1/100 model of a larger church. When I saw the kit the old heart sank (lots of fiddly bits, optional parts, minimal instructions, glue-in-place stained glass windows, and a general assumption that the user has done this before), but Goya very kindly built it for me, and here it is, with 20mm figures to give a sense of proportion.
There is a plan for a trip up north next week, to fight Day 1 of Aspern, so the church will travel with me. I never go anywhere without a church.
Thanks again, Goya - nice job.
Saturday, 5 January 2019
Hooptedoodle #320 - The Unlikely Tale of Malcolm
I've been thinking about sharing the story
of Uncle Malcolm for a while. I've been hesitant because it's potentially a little
more hazardous than most of the silly yarns you will find here, and also there
are some parts of the story of which I wasn't certain. This last point is a
recurrent problem with the histories of my mother's family, since the
inevitable distortions caused by retelling over the years are supplemented by
the entirely deliberate distortions arising from overstating the achievements
and importance of various family members, and by misrepresenting a lot of stuff
in the interests of the Official Received Family Editions; by mother's family has
more skeletons in cupboards than most. Well, of course, I'm guessing here -
maybe everyone's family is the same?
Prompted by recent sight of an ancient
wedding photo amongst my mum's acccumulated junk (sorry, archives), I decided
to have a bash. Now then - Terms & Conditions:
* Some of the family members involved are
still alive, and I would not like to upset or libel anyone
* Some of what follows will reflect family
traditions and (especially) what I heard from my grandmother, who always
preferred embroidered versions in which she emerged blameless and, if possible,
martyred yet again
* A lot of this is a matter of public
record, though it was a long time ago - if anyone managed to work out, despite
the changed names and dates, the historical version of the story, then they
would almost certainly be mistaken. If necessary, we may take comfort in the
fact that I probably made the whole thing up, to fill a space in my stupid blog.
☐ I have read and accept the
Terms & Conditions
Righto - back to some form of beginning.
From the mid 1930s on, my maternal grandmother lived in the same house in
Liverpool, initially with her four daughters. She and her husband had separated, and the five
of them were a close-knit family, one guiding principle of which was the
untrustworthy and despicable nature of men. In fact, all the daughters
eventually overcame this prejudice long enough to get married, but my Nan and
her cat lived on and nurtured their faith. The only one of her sons-in-law
that she had any time for at all was Barbara's husband, Les, who had the
misfortune (maybe the decency?) to die when he was in his early 40s, and he was
thus himself elevated to the role of tragic martyr, for which Nan always had a
fondness (having suffered herself, of course).
The youngest of the daughters was Belle
(really Anabel). I never really knew her very well - when I was a kiddywink she
sometimes used to come to our house to babysit when my parents went to the
cinema - she was about 12 years older than me, I think. Her early academic
achievements were the pride of the family, and she was certainly a very clever
girl, though the factual history, inevitably, was a bit less prestigious than
the received version. I subsequently learned that she did not, in fact, win a
special scholarship to the best school in Liverpool, though she did sit the
exam for it; she eventually left school to go to Art College, and she was expected to become a very successful commercial artist. I rather lost sight of
what happened after that, but some years later she was working as an assistant
librarian in a Liverpool Council public library, and suddenly there was a huge row
(of which I was mostly unaware at the time) and she had to get married in a big hurry
to a colleague from work, Malcolm. Which brings us to Malcolm.
Malcolm was a very smart young chap - he
was also very tall, and handsome in a slightly beatnik style (big jumpers, longish
hair, goatee beard). He and Belle had an impoverished start to their
married life - I identify my 11-year-old self in their wedding photo - the next
thing I remember is going round to their rather grotty apartment on my bicycle.
Malc was always sarcastic and condescending towards me, so mostly I went to
visit during my school holidays when he was at work. By this time Belle had one
baby and another on the way, and it didn't take long for me to realise that I
was a bit of a nuisance, so the visits stopped.
During a short space of time, Malc had a
number of jobs - in a later age he would have been seen as possessing ambition
and energy, but at the time he was simply regarded as "shiftless" by
my Nan - my youthful taste for irony was spiked by the thought that he seemed
to do more shifting than most, but no matter.
1. He left the library service, allegedly
over some irregularity in the petty cash
2. He worked for a while as a barman in a
pub in Liverpool city centre, but left following some (alleged) misunderstanding
involving the till receipts.
3. He applied for a job as a news-reader/announcer
with Granada TV (Manchester), but did not get the job - his own version of this
was that it was felt he was too attractive and charismatic, and this would have
impacted upon whether people paid attention to what he was saying. Right.
4. For a little while he did door-to-door
selling for a firm who published popular encyclopedias (a period of history commemorated
by Nan under the title "Gullible's Travels") - I have no idea why or
how this ended.
At this point I lost touch with
Belle and Malc, but they appeared to me just once more, when I was home on
holiday from university.
Malcolm had taken a bold step. If you were
a young man, with decent intelligence but a lack of resolve, and a tad questionable
in the honesty department, what would you have tried for, back in the 1960s?
Correct - the Diplomatic Service of the United Kingdom of Great Britain and
Northern Ireland. Well done - good guess.
Malc sailed the exams, no problems at all,
and got a job. To gloat a little, he hired a very large car, bought himself and
his family new clothes of a quality such as we very rarely saw in those days,
and toured the family members, rubbing our noses in the fact that he was going
to work in a glamorous new post in the British Embassy in Brussels. It was, to
be fair, quite an exit. I never saw Belle or Malc again. After this time I
moved into my own hectic days of professional career and young family, and
thoughts of my globetrotting relatives occupied very little of my waking hours.
Then, one day, my mum phoned to say that she couldn't say much about it, but
Malcolm appeared to be in a lot of trouble, so if any people from the Press
contacted me I was to deny all knowledge.
Pardon? The Press?
After some years in Brussels, Malc had been
transferred to Khartoum. Apparently the Russians (boo!) had either planted a
young female employee in the UK's Khartoum embassy, or else they
"acquired" an existing staff member - whatever, this young lady's
mission was to get involved with some member of the embassy staff, with a view
to blackmail and all that. If they were looking for a vain, senseless prospect
as a dupe, it is just possible that Malc may have been visible as far away as
Moscow, who knows? It doesn't pay to be sanctimonious - these were real people,
and they got themselves into real trouble. It isn't funny - well, maybe a
little...
Eventually the sting was made, Malcolm had
to meet an intermediary, known as André, in the Blue
Nile café in Khartoum [come on - give me a break - if I were
making this up I'd have tried a bit harder than that, for goodness' sake. As a
side issue, we may discuss how this scene would be filmed, and which actors
should play the roles.]
Malc was told that someone would tell his
wife and his employers about his indiscretions if he didn't co-operate by
handing over some information of strategic value. Next, I imagine, there
followed a rather embarrassing conversation, as they came to understand that
Malcolm was really a very junior under-secretary, who did not actually know
anything very interesting at all. He provided them with some details of the
security arrangements in the Brussels office - building access, wiring
diagrams, stuff like that, I am told. To make it respectable, they may have
paid him some money as well - opinions vary.
Poor old Malcolm fell apart. It seems his
wife already knew about his affair, which is a bit humiliating, maybe, and he
went to his boss and admitted the whole episode.
Things moved very quickly. He was arrested,
and the aforementioned Press made the mistake of knocking on my Nan's door.
Barbara was there when the man from the Express
turned up: had Nan known that her son-in-law was a communist spy? Before Nan
slammed the door in his face, according to Barbara, she suggested that he
should go and get himself a decent job, "such as shovelling shit". More
seriously, my dad was about 3 years into a senior engineering job with Reactor
Group at the UK Atomic Energy Authority (or Ukulele,
as they were colloquially known). He was an electrical man, not nuclear, and he
worked on power-station projects, not weapons stuff, but his job involved a lot
of heavy security anyway. As you might expect, the news of his brother-in-law's
adventures went down like the proverbial lead balloon at the Ukulele, and for a
while our mooted film project takes on a comedic twist. The Government had his
house watched. No - honestly, they did. Presumably this was to see if he
received visits from foreign-looking chaps with big furry hats. At first a man
(in a trilby hat, with a newspaper) stationed himself nonchalantly on the other
side of the street, until he was relieved by another such man. In a quiet
suburban street this was ridiculous - the secret service man became a celebrity
locally, the kids threw stones and abuse, and at various times mischievous
neighbours offered him cups of tea, and on one occasion reported to the police
that there was a dodgy-looking character hanging around, obviously up to no
good. The surveillance was now switched to pairs of men sitting all day, very
conspicuously, in a Ford Zephyr, the only parked car in the street.
Again, it wasn't funny at the time, since
my dad could easily have lost his job and his pension. Whatever, the matter was
dropped and the surveillance ended (or did it? - maybe they just got better at
it - I'll take a peek out of the window now...). Probably a combination of the
lack of direct involvement on my dad's part and the obvious ineptitude of the
spying effort convinced them to give up.
Malc went to court, and got 10 years in
Parkhurst, which was probably the minimum sentence. Typically, he missed out on
his last chance for fame, since his trial was pretty cut-and-dried, and there was a
much higher-profile and more interesting espionage case on at the time, which
pushed Malc's charismatic good looks off the newspapers once and for all. His wife
was set up with a good job in London, the kids were placed in a good private
boarding school (at the tax payers' expense) and I never really heard any more.
My mother lost contact with Belle, which is sad, really, but the problems over
my dad's job had damaged things for ever.
Malcolm and Belle have both been dead for
some years now - I met up with two of their kids - a son whom I had met when he
was a toddler, and a daughter who was born after my time. I met them at
Barbara's funeral, in Liverpool, in 2013. My new-found cousins snubbed me
pretty severely - there is clearly a lot of heavy baggage there, so I did not
persist in establishing any kind of entente. To be fair, Malc and Belle and
their children might justifiably have felt that her family did not try very
hard to help or stand by them when they really were having desperately bad
times. It was nothing to do with me, of course, but maybe that's just another
instance of distancing ourselves from a problem. I only have the excuse that I
was somewhere else at the time.
Another skeleton in another cupboard, but
an unusual one, maybe? As I say, if anyone tracks this story down to its facts
then I know nothing about it - my grandmother just told me one of her rambling stories, long ago,
and I may even have remembered it imperfectly.
Saturday, 29 December 2018
Hooptedoodle #319 - Nostalgia Trip
Posts have been a bit sparse of late on
this blog. No matter. One thing I had been meaning to say something about was a
recent visit I made with my wife to Liverpool, my birthplace, at the start of
December. We went only for a few days, and we weren't very lucky with the
weather, but it was good fun, and I did a few things - mostly rather silly,
personal things - that I've been meaning to do for years.
I have only one surviving relative in
Liverpool these days - cousin Mark, with whom we met up for dinner one evening
while we were there - so normally there are no pressing reasons to visit the
place, apart from self-indulgence, and my last visit was in 2012. We stayed at
the Campanile, which is very cheap
and cheerful, at the Queen's Dock. We visited the cathedrals (on the wettest
day I can remember) and trogged around the old city centre, with me trying to
recall what old buildings used to be on particular sites in my day. Yes, I know
- how pointless is that?
I have to say that the city is far cleaner
and more prosperous than I remember it, but it is disturbing how much it has
changed - I have a feeling that some of the change has lost a few things as
well. Babies and bath-water come to mind.
I went to have a look at the house where I
was born - well, all right, I wasn't born there at all, I was born at the
Maternity Hospital (in Oxford Street?) like most other people from the South
end, but I lived there from ages zero to 10.
6, Belvidere Road - that's Liverpool 8,
Toxteth, if you insist, but it is certainly among the posher bits of Toxteth,
and I suppose it's more accurate to refer to it as Princes Park. We got the bus
from the city centre to Princes Avenue, and walked down to Belvidere, which had
changed very little (though the houses look better-maintained, and some
charitable soul has replaced the railings and gates, which obviously were not
required to be thrown at Hitler after all).
We had a splendid walk through Princes Park
to Sefton Park, and then through Sefton Park to my grandmother's old house in
Mossley Hill. When I was a kid we used to do this walk (both ways, in fact)
most fine Sundays, and I was keen to see it again. It always seemed an enormous
distance to walk with small children, but in fact it's not nearly as far as I
remembered - probably only a couple of miles each way. It was a fairly dry day, and everything
seemed very fresh and familiar. I haven't walked through Princes Park since the
1960s, I guess, but it hasn't changed much.
From my grandmother's old house we
continued up Penny Lane to Smithdown, had a coffee and took the bus back into
town. That's another one for the bucket shop list - I'm really pleased I did
it, and I don't need to think about it any more!
We also took advantage of our only other
dry day to travel by ferry across the Mersey to Seacombe. Then we walked along
the riverside promenade past Wallasey as far as New Brighton, on the end of the
Wirral Peninsula, complete with the Perch Rock Fort, which Turner painted in
some of his wilder sessions, but the old Tower Ballroom, where as a youth I once saw
Little Richard, is long gone. New Brighton was definitely looking a bit
gone-to-seed - we took the Mersey Railway back under the river to James Street.
Great walk - I was impressed by the number of fishermen on the promenade - when
I lived in those parts there would have been nothing alive to catch in the
Mersey, that's for sure!
On our last evening we went to the
Philharmonic Hall in Hope Street, to see the Royal Liverpool Philharmonic
Orchestra in action. Marvellous. High spot of the concert for me was
Stravinsky's Firebird, which is a
great favourite of mine. The previous occasion on which I was in the Phil
was probably Speech Day in my final year in the Sixth Form at Quarry Bank
School. Hmmm.
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| Over the hills and faraway - travelling south on the M6 over Shap Fell. The Lake District is somewhere over to the right |
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| It still surprises me that Liverpool has become a tourist centre... |
| Let us not speak of the purple dustbins... |
| Princes Park - scenes of childhood... |
| ...and its lake, which once had rowing boats for hire |
| Linnet Lane - apart from the lack of my kid sister's pram and a few modern cars, looks about the same |
| Lark Lane - quite arty these days - leads to Aigburth and my old primary school at St Mick's |
| The quiet end of Queen's Drive, Mossley Hill - this is the great ring road which loops around the city to Seaforth and Bootle in the North. |
| Sefton Park's celebrated Palm House, a fabulous old facility which has been rescued from vandalism and general wear and tear numerous times over the years |
| The Lady Chapel in Liverpool Anglican Cathedral. Speak it in whispers, but I was a member of the choir here when I was about 12 - that was until they found out what was wrong with it. |
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| The Royal Iris - the latest of a great many Royal Irises - the ferry for Seacombe (Wallasey) - back in the day, the Seacombe ferry had a white funnel, the Birkenhead ferries had brick-red ones. |
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| Wallasey Town Hall, looming above the River Walk |
Nothing else to do now but wish everyone
all the very best for the New Year. 2018 has definitely been a duff one for
me and my family - we are hoping for rather better in 2019. Once again I regret to
observe that I have been overlooked in the New Year Honours List, but I thought
I'd share with you my great pleasure that John Redwood has been knighted,
presumably for being a pain in the arse for so many years, and for services to
xenophobia. How lovely. Gives me a warm feeling in my stomach - possibly dyspepsia?
***** Late Edit *****
Penny Lane Supplement...
In response to Steve's comment, a couple of old pictures. Penny Lane is an old street in the Allerton area of Liverpool (Liverpool 18, in old money) which runs between Smithdown Place and Greenbank Park. Apart from the fact that it intersects with the road where my Nan used to live(!), it is not all that interesting. On the other hand, "Penny Lane" was the name of the old tram terminus which was at the intersection of Allerton Road, Smithdown Place, Church Road (Wavertree - where the Bluecoat School is), Elm Hall Drive and - well, Penny Lane. The area was known as "Penny Lane", mostly because that was what it said on the front of the trams and buses. As it says in the song, the shelter for the transport terminus is on a roundabout in the middle. That shelter has now been tarted up into a Beatles-themed place. The barber's shop still exists, though back in the 1960s it was owned by Roger Bioletti's granddad (Roger was a year below me at grammar school) - nowadays it, also, lives on the Beatles connection. The main point here is that both the shelter and the barber were, and still are, in Smithdown Place, which is the (sketchy) setting for the song, at the area which has been known for donkeys' years as "Penny Lane", though Penny Lane itself is only one of the streets which runs into that junction.
I may have explained that so brilliantly that even I can't understand it any more. Here are the pictures - all borrowed from elsewhere:
The actual song is a bit of a montage of boyhood memories - some poetic licence in there - the Fire Station is in Mather Avenue - a couple of miles away past Allerton Road, on the way to Garston - on the way, in fact, to McCartney's home at Forthlin Road, which is off Mather Avenue.
All the Beatle-theming and tourist exploitation is probably OK, but ironic to those of us old enough to recall that Liverpool youth in the 1960s was regarded by the local authorities as just as much of a pestilence as you would expect. Visitors today may be directed to the New Cavern in Mathew Street, but they will not see much information about the fact that the council closed the original place down the first real chance they got. Mind you, it was unhygienic and failed every possible H&S test you could think of, but it's nonetheless true that they had regarded it, and places like it, as blots on the official presentation of Liverpool the Commercial City (and former Second City of the Empire, if anyone could remember that). That particular rubber stamp must have been banged down with a lot of satisfaction. How times change. How attitudes are re-engineered to suit.
Slavery and Beat Clubs - choose your viewpoint to fit the times in which you live!
***********************
***** Late Edit *****
Penny Lane Supplement...
In response to Steve's comment, a couple of old pictures. Penny Lane is an old street in the Allerton area of Liverpool (Liverpool 18, in old money) which runs between Smithdown Place and Greenbank Park. Apart from the fact that it intersects with the road where my Nan used to live(!), it is not all that interesting. On the other hand, "Penny Lane" was the name of the old tram terminus which was at the intersection of Allerton Road, Smithdown Place, Church Road (Wavertree - where the Bluecoat School is), Elm Hall Drive and - well, Penny Lane. The area was known as "Penny Lane", mostly because that was what it said on the front of the trams and buses. As it says in the song, the shelter for the transport terminus is on a roundabout in the middle. That shelter has now been tarted up into a Beatles-themed place. The barber's shop still exists, though back in the 1960s it was owned by Roger Bioletti's granddad (Roger was a year below me at grammar school) - nowadays it, also, lives on the Beatles connection. The main point here is that both the shelter and the barber were, and still are, in Smithdown Place, which is the (sketchy) setting for the song, at the area which has been known for donkeys' years as "Penny Lane", though Penny Lane itself is only one of the streets which runs into that junction.
I may have explained that so brilliantly that even I can't understand it any more. Here are the pictures - all borrowed from elsewhere:
![]() |
| Bioletti's barber shop, Smithdown Place, 1960s |
![]() |
| The shelter, in 1956 - looking in exactly the opposite direction to previous photo - this time looking along Allerton Road - the barber's shop must be just off the left edge of the picture |
![]() |
| Somewhat later view of the shelter - circa 1970? - here we are looking towards Church Road, with Allerton Rd off to the right and Smithdown to the left, and Penny Lane itself directly behind us. |
All the Beatle-theming and tourist exploitation is probably OK, but ironic to those of us old enough to recall that Liverpool youth in the 1960s was regarded by the local authorities as just as much of a pestilence as you would expect. Visitors today may be directed to the New Cavern in Mathew Street, but they will not see much information about the fact that the council closed the original place down the first real chance they got. Mind you, it was unhygienic and failed every possible H&S test you could think of, but it's nonetheless true that they had regarded it, and places like it, as blots on the official presentation of Liverpool the Commercial City (and former Second City of the Empire, if anyone could remember that). That particular rubber stamp must have been banged down with a lot of satisfaction. How times change. How attitudes are re-engineered to suit.
Slavery and Beat Clubs - choose your viewpoint to fit the times in which you live!
***********************
Tuesday, 25 December 2018
Hooptedoodle #318 - Unfamiliar Birds
Very quiet day here - grey and overcast. The Contesse and I went for a walk down by the River Tyne (as discussed previously, this is the Scottish Tyne, not the one that goes through Newcastle). Very quiet down there - maybe people are put off by the muddy conditions? We did see a couple of birds which we didn't recognise - since we didn't have a camera with us these are not our photos, but these are definitely what we saw - library photos courtesy of the RSPB, which is where we get our knowledge of birds anyway!
We walked along the river to the footbridge next to Hailes Castle, crossed over and back to the village of East Linton by (very quiet) public roads to reclaim our car. Good walk - only about 4 miles, but stimulating on a cold day.
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| White-Throated Dipper |
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| Goosander - male on the right |
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| The narrow bridge over the Tyne at the village of East Linton - until 1927 this was part of the A1, main road from Edinburgh to London! |
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| Hailes Castle - another seat of the Hepburn family, I think - can't move for history round here! |
Friday, 21 December 2018
Hielan' Coos - and the Ramekin
![]() |
| Moo! |
I also thought I'd take the opportunity to put out the current draft of my Ramekin add-on for Commands & Colors: Napoleonics. In truth, "add-on" is not ideal phrasing, since the Ramekin game is a simplification. As I attempt to explain in the note, this is not intended to replace C&CN, it is merely a variation to cope with games where the left/centre/right section cards are not appropriate, or where the battle requires a lot of preliminary movement to develop the armies, or where the game is so large that some streamlining of the activation system helps to push it along. What I have is still a working draft, so it will certainly change further, but a number of people have asked me about it.
Replacement of the Command Cards with a dice-based activation system feels a bit like a sell-out, and I had all sorts of ideas for making the dice system very scientific, possibly utilising the army structure - the Tempo Points system from Polemos' General de Division was a likely candidate (I've always liked that) - but in the end I decided simple is good, at least for starting with, so the system at present may be described as crude-but-fast. This may get improved a bit as I build some more experience, but it gets me up and running.
The scaling-back of the effect of ranged musketry is an experiment. I am keen not to destroy the balance of the game, but, as published in C&CN, musket fire at 2-hex range is about as effective as melee combat, which has always bothered me rather. Let's see how we get on with this. I've had a great many games where attacks get shot to pieces before the attackers can even get to close range - that doesn't seem to correspond completely with history. Anyway, let's see how I get on with the tweak. If I can get the changed version of Google Drive to work, you should find the note here.
If you'd like to discuss the Ramekin, or make suggestions, or share you own experiences with it, please get in touch, but if you think it sucks then please keep it to yourself! Also, before anyone asks, I have no intention of publishing or maintaining a set of scenarios for Ramekin!
Have an excellent holiday, everyone.
Sunday, 16 December 2018
Hooptedoodle #317 - Segovia - Not to Be Sneezed At
I've had a fiddly sort of week, sorting out
my accounts, paying bills, tidying up. I also invested a little time in sorting
some more of the dreaded lead pile into potential units for painting, and boxing
them up in plastic sandwich boxes, labelled with Sharpie pen - "3 bns
French lights - no command" and similar. You can see how this might work - if I can find where I have now put the little boxes I can get them painted up - if I can't find them then at least I have lost the lot in a single step, which is efficient in a rather specialised sense.
While I was involved in this scientific and
worthwhile activity (which must look uncomfortably like mucking around to the
rest of the world), I was listening to BBC Radio 3, as one does (or could do -
other stations are available, of course). One of the recordings they played was
of the great Spanish maestro of the classical guitar, Andres Segovia, and I was
reminded that I am old enough to have seen him in concert - long ago, when the
world was young.
![]() |
| Sketch of Segovia in concert in Brussels in 1932 - before my time... |
My recollection was that the concert took
place at Leith Town Hall (that's sort of Edinburgh to you), but I could hardly
believe that such a gig ever took place. So I took time off the sorting and
boxing to check online, which, of course, is exactly why these jobs take so
long and where the accusations of mucking about probably arise.
The Leith concert did take place - in
winter time, in early 1971, when Segovia was a plump-but-sprightly 78, on what
was expected to be his final European tour. I got a ticket through my friend
Thomas, who was very keen and had recently joined (I may not get this quite right)
The Edinburgh Classical Guitar Society - it was they who were putting on the concert,
and it must have been something of a coup for them. I went along because I was a
fan, and also because I might never have the chance again [digression: I once saw Louis Armstrong at the Liverpool Philharmonic,
exactly because my mum thought I should go, since it might be the last chance.
If Napoleon comes to your town, you should go to see him, so you can tell the
grandchildren, or bore some future generation of blog readers].
![]() |
| Leith Town Hall in sunnier times - in fact, I'm not convinced the concert was in this part of the building |
Thomas and I arrived late, just before the
concert started. There were a couple of hundred people in the audience. It was
dark in the hall, and pokey, and freezing cold (you could see your breath at
the start, and the guests all kept their hats and coats on). We seem to have
been seated on folding wooden seats, so it was also creaky and uncomfortable, but
the worst thing of the lot was the acoustic ambience of the hall. Church-like
echoes, and Segovia himself was almost inaudible - everyone had to keep very quiet
throughout, and it all got a bit tense. I am getting ahead of myself...
At the appointed hour, Old Andres came out
onto the platform. He didn't speak or smile at any time of the show - I can
hardly blame him. He tuned up for a minute or so, and then began his
performance - a nice bit of Albeniz or something. After about 30 seconds,
someone coughed, Segovia stopped, glared around the hall and started again -
from the beginning. Same thing happened during the third or fourth piece -
laser-beam stare and start again. Since everyone seemed to have a seasonal
cold, the whole thing became very edgy indeed. Everyone in agony in case they
sniffed, or their chair creaked. I began to convince myself that I was certain
to sneeze. While aware of the privilege of just being there, I spent the rest
of the first half just wishing the thing was over.
Came the interval, and I joined Thomas in
an adjoining room, where cups of tea (from the municipal urn) were available. I
recall that I was still wearing my gloves. Thomas was spotted as a new member,
and was buttonholed by the secretary. How were we enjoying the concert? Thomas
and I had just been moaning to each other, but Thomas was tactful enough to avoid
telling the Hon Sec that it had been one of the most harrowing hours of his
life. He did ask why the heating wasn't working, and the question was dismissed
out of hand. Warming (wrong word) to his theme, Thomas suggested that if the
concert had been at the Edinburgh Usher Hall, or any serious concert venue,
some tasteful amplification would have been used to boost the sound to a level
where the paying audience could actually hear it. A couple of good condenser
mikes and a competent sound man and the music would have been perfectly fine
with just a gentle boost. Tasteful - you know how it might be.
The Sec almost had apoplexy, and raved on
about how you cannot possibly reproduce the sound of the guitar
through a microphone or any type of amplification equipment. Eventually he
paused to take a sip of his tea, and presumably to gather his strength for a
further onslaught.
For the only time I can ever remember,
Thomas got a bit annoyed.
"Tell me," he asked the Sec,
"at home, do you have recordings of Segovia?"
"Oh yes, I have just about everything
he has recorded, including some very rare pieces which I obtained through a
Spanish subscription club of which I am a member - wonderful, wonderful music,
much of it from when he was in his prime."
"And you enjoy listening to these
recordings?" asked Thomas, innocently.
"Of course - there is nothing finer"
"You do realise," Thomas
continued, "that there isn't a little man in your gramophone playing a
little guitar? - the sound comes from an electric amplifier, though a
loudspeaker, and was captured for purposes of the recording using microphones.
You did know that?"
The Sec turned on his heel (quite rightly),
went off to rub shoulders with Andres himself. With luck, Segovia might just
have bent his ear about the state of the hall, especially the sound, the
near-darkness and the bloody temperature, and the fact that, by the way, the
tea was crap...
The second half was slightly less stressful
- the presence of all those coated bodies must have warmed the place up a bit,
but I was still more than a little pleased when it was over, we could move
around a bit and I could get rid of the flat area on my backside.
Segovia may have stopped touring, but he
was still recording in 1977, when he was 84. He finally died in 1987 - I hope he was warm and
comfortable and everyone kept quiet for him. Thomas lives in Northamptonshire
now, and is still trying to play classical guitar, bless him.
Me, I live in Scotland and spend time
mucking around with toy soldiers. We are - all of us - always just one cup of
tea from history.
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