I am delighted to note that The Jolly Broom Man has now launched his new blog, and a very fine thing it promises to be. The subject matter is the English Civil War, and we are marched straight into a very ambitious campaign, which looks very exciting, to say the least. The blog is entitled 1642 And All That (click to visit) and is thoroughly recommended.
The tabletop element of these activities is conducted in 6mm, and it all looks terrific. The blog is entertainingly and engagingly written, and contains much of interest - JBM, apart from being a noted restorer of ancient French buildings, also does a very nice job with a smaller brush, and has service as a re-enactor on his CV.
6mm Horse, ready for action - Baccus, I think
6mm House - there's also some very attractive scenery on show
So why are you still reading this? - get over there at once and check it out. Tell your mates. Here's another opportunity to click on the link. My enthusiasm is not just because the JBM is a friend of mine, by the way, and he certainly is not paying me for the plug (perish the thought). How could you suggest such a thing?
[The photos are reproduced without JBM's permission, but give an idea of what he's on about.]
Only seems a few weeks since it was getting light at 3am - something shifted while I wasn't paying attention. This is actually a fine morning, after a very wet night, but the forecast is a bit wild - winds and more rain. Looks nice, though?
This evening I have the house to myself, since my wife and my son have gone to an information evening at his school.
I like to dine simply on these occasions, so I made myself a sandwich of peanut butter (crunchy, of course), Jarlsberg cheese and just a touch of Marmite. Pretty good - all I needed apart from this was a glass of water and I was happy enough. Switched on BBC Radio 3 and caught part of a concert given in Edinburgh by the BBC Scottish Symphony Orchestra. Main item on the programme was to be Vaughan Williams' Sea Symphony, of which I've never been very fond, but we kicked off with Thea Musgrave's Turbulent Landscapes, which I really don't know at all. The theme of Ms Musgrave's suite is a musical interpretation of 6 paintings by the artist JMW Turner, and batting at No.4 was Turner's very quirky War: The Exile and the Rock Limpet, which I hadn't thought about in years. I have always found this picture very haunting, though I never quite knew what to make of it. You may write an essay on it for your homework - 1000 words will be fine. Perhaps you could bring out the implied contrast between imperial glory and the minutiae of Nature - or any other theme you like will be fine. You will have marks deducted if you mention the size of Napoleon's hat, by the way. Reference to the British guard will be OK, however.
Mention of marks deducted reminds me of a private joke which my late cousin Dave and I kept going for years. We lived through a period when it seemed that new works of art were judged by the weight of the justificatory text which accompanied them, rather than the work itself. We once attended a concert at the Liverpool Philharmonic at which the first item was a recently-commissioned orchestral piece about the coming of the Industrial Revolution to agricultural Britain (well, England, I guess). The composer himself gave an introductory talk lasting about a quarter of an hour, in which he described his interest in the subject, how (and why) he had been approached to compose the piece, and how he had attempted with contrasting tone colours and symmetrical harmonies to create an image of smoke and fire against a rural idyll. He then conducted the piece himself, and I swear it lasted about 4 minutes.
Dave and I were transfixed. We were about 17, and we immediately declared war on critics, radio announcers and all pseuds in general, and we invented a scoring system, which awarded "faults", rather in the style of equestrian show-jumping. The speaker/writer could collect single faults for the use of undergraduate gushiness such as "lambent" or "plangent" (etc), and there were also a few biggies for words or phrases we really disliked. A "clear round" was a rarity - a text or talk which contained no offending words at all.
Back to the present, the night of the peanut-butter sandwich. Tonight's announcer on the BBC (who was only reading a prepared script about the Musgrave piece, poor sod) scored 4 faults for "juxtaposition", which is always accompanied by a faint klaxon, but otherwise performed well enough. Dave died and dropped out of the game years ago, but I still keep my hand in with the scoring system when I get the chance. I have a few newbies since Dave's time - "Zeitgeist" gets 8 faults - which is a double-refusal or something - and I have a few others.
This all smacks a little of inverted snobbery, which is never attractive, but it really just reflects a long-held prejudice against the posturing bourgeoisie - though it occurs to me that it may reveal me as the biggest pseud of the lot!
**** Late Edit **** Because the comments got me interested again, I thought I'd put a link to the relevant Part IV of Thea Musgrave's suite, as discussed.
Now here's an interesting idea: after you've heard the music, you could go and paint a picture giving your idea of what it portrays. Then someone could write another new piece of music interpreting your new picture, and so on, for ever. Great, eh? Like the most pretentious game of Chinese Whispers in history. If we produce a variation on the showjumping analogy, the limp little quote from La Marseillaise must be worth 8 faults on its own? And, just in case you missed it (because you were asleep?), there is a reprise at the end, which is no more inspiring and must be worth a further 8 - no VAR allowed.
A few years ago, I saw mention of the fact that someone had developed a mod for a dice-rolling app on a smart-phone, so you could play Commands & Colors using your phone instead of Stone Age dice. Apart from a faint feeling of weary revulsion at the time, I did nothing more than make a mental note that the human species had achieved this further landmark in our technological evolution.
I was thinking idly about this the other day, and recalling that I had (luckily, perhaps?) never seen an example of this fine thing subsequently. I Googled, as one does, and found this thread on the user website, which seems once to have included a picture of the smartphone app doing its C&CN thing, but the picture has now gone missing.
Photograph missing - this is not the original missing photo, of course, it is another one
Well, it goes without saying, I don't actually care a button [perhaps "couldn't give a toss" would be more apt?], but this has piqued my interest again. My personal view is that the use of the actual, physical dice in the game (rather than an app) is a good thing, since
(1) it provides an element of much-needed exercise
(2) it gives a rare opportunity to switch the damned smartphone off and put it back in one's pocket, which is just the sort of reason we might play C&CN in the first place. [Even better, put the smartphone beneath the visitor's rear tyre, on the driveway.]
I am confident that some worthies will use this phone app and think that the game is all the better for it, and I can only say bless them, so I do not wish to mock or condemn anyone here, but if it was such a raging success, why can't I find a photo anywhere?
Anyone got a link to a picture of this app? If so, I'll be grateful and vaguely interested. If not, especially if this is because the whole idea was dropped as a stupid affectation, then I may even have a glass of the old Pinot Grigio with my dinner. How can I lose?
In a vague sort of way I am reminded of a walk I did along Hadrian's Wall six years ago, when one of my companions was in a sweat every evening trying to find somewhere to re-charge his iPhone, since he had a compass app on it. The idea of a flat phone battery resulting in our getting dangerously lost on a walk where you can either go east or west at any moment was too awful to contemplate, but fortunately I (secretly) had a small device in my pocket which used a magnetized steel pointer on a round dial to show the direction, so we were probably safe enough.
Oh yes - the title of this post is an insiders' joke term for the dice roll you need to kill a General in C&C. What fun we have, when you think about it. Since this post is a bit short of visuals, here is the house Donkey Award logo, to make the point.
4 regiments smartened up and based, with gaps left for command figures, still to arrive.
The boys on the botttle-tops have not yet been varnished, just in case I need to change the facing colours
This started a few weeks ago when my old acquaintance Paul got in touch to say he had found some more Les Higgins/PMD Napoleonic French cuirassiers (he thought he had got rid of the last of his Napoleonic figures some years ago - his cupboards must be interesting). They were in reasonable condition, and was I interested?
Well, of course. Historically, I have not been very interested in cuirassiers, since I am a Peninsular War man, and I already have the 13th regiment, which has been all I need, really. However, I am now building a Bavarian army, suitable for the Danube and various other exotic Central European (and Russian) theatres, and also I now have friends who own Austrian and Prussian troops, so my appetites are widening. Also, Paul is a good painter, and his old toys are always an attractive proposition.
A deal was struck, and the soldiers arrived. Back in the day, PMD made a cuirassier trooper (NF33), but no command figures, though their dragoon trumpeter (NF32) is perfectly suitable for a job in the cuirassiers. No cuirassier officer, though. The figures I bought from Paul include a converted trumpeter, produced from a dragoon trooper, and an eagle bearer, also a conversion. I've changed the trumpeter's uniform pretty drastically, and the flag will have to go as soon as I arrange something better, but I'll use them both.
It will take a little juggling, but I'll have enough figures for 4 regiments, to provide a reserve cavalry division. I have ordered some packs of command figures from Art Miniaturen. How exactly the regiments will be staffed depends on whether I like the Art Mini eagle bearers. If I do, it's dead easy - just put the command figures into the empty spaces in the four based-up regiments as shown in their current-state photos.
The alternative is to omit the eagle bearers and make up the numbers by switching the remaining spare troopers (repainting facings as necessary) and just use the Art Mini officers and trumpeters.
The regiments I've selected are the 2nd and 3rd (red facings) and the 7th and 8th (yellow) - these facing colours will work for both the 1809 and the 1812+ periods. I'll paint the trumpeters in the earlier style (before the Imperial Livery), which, again, will suit either period.
I've put this project back in the cupboard until the Art Mins arrive. You should hear more about these chaps soon.
Digression: I was considering the word "refurbish", which I seem to use a lot these days, and wondered whether there was such a word as "furbish" - which, of course, there is. Maybe I knew that, but had forgotten. Anyway - the point is that I understand that furbish means "to renovate, polish, or return to new condition", which - confusingly - is what I think "refurbish" means. Does this mean that if you refurbish something you are furbishing it again? I shan't worry about this, but I'd be disappointed if I embarrassed anyone (especially myself) by getting it wrong.
Some years ago I decided to try to get my book collection back under control (one time among many), so I selected a goodly number of volumes to sell off, give away, bin etc. Among the books that went at that time were the original (green and black) War Games by Don Featherstone, and the original (orange) Practical Wargaming by Charlie Wesencraft. I got rid of them because (a) I never looked at them any more, and (b) well, my wargaming had outgrown these books anyway, hadn't it? I sold both books on eBay, and got reasonable prices for them - these things were in demand at the time. Fine.
Sadly missed - now back in the library
Of course, it took me just about a month to realise this was all a mistake. My life was poorer without them. Whenever I needed cheering up about why I played with toy soldiers, those old books were what I missed. Therapy. After about a further year I saw a good copy of the original edition of the Featherstone book, so I bought it (yes - I did feel like a bit of an idiot, but I paid less than I had received for my original one, and I will maintain (stubbornly) that the replacement was in rather better condition).
I also replaced the Wesencraft book, by buying the new, John Curry-edited paperback. Since I bought this edition, I guess I'm entitled to an opinion; my opinion is that I am delighted that John is re-publishing all these old classics, but I found his reprint of Practical Wargaming disappointing - numerous typos, tables laid out in a way which I found very difficult to follow, and I don't like the scans of the half-tone photos at all. So, you can guess what I've done now - that's right, I've bought a nice, clean, pre-owned copy of the orange, hardback Practical Wargaming from eBay. [I was about to go on to discuss the comparison of the selling and purchasing prices, but in fact I'm too embarrassed to bother.]
So everything is now back as it was - just some stupid footling-about in between.
Anyway, what this all amounts to is me trying to put a positive spin on my Full Donkey achievement of having sold two books on eBay and then having to buy them back again, also on eBay.
Whatever, I'm happy with the arrangement.
Thought for today: How many idiots does it take to make a market?
I'm very pleased to welcome another unit for the 3rd Divn of Marshall Lefebvre's VII (Bavarian) Corps of 1809. This is the 5th (Buttler's) Light Bn. A bit of aristocratic patronage is very appropriate for the Bavarian army of this period, and it is a considerable privilege to have had these chaps painted at the studios of Count Goya - thank you, sir! I'm sure that all visitors will enjoy the Count's very fine brushwork.
Castings are, again, from the Falcon range, now manufactured and sold by Hagen.
