Napoleonic & ECW wargaming, with a load of old Hooptedoodle on this & that


Thursday, 12 January 2012

New in The Cupboard

For me, the personalities in my wargames armies are important. It is always a source of extra satisfaction if there is a customised drummer in this regiment, or an odd figure with a bit of history in that one. One of my French infantry battalions, for example, has - completely out of context - a mounted officer from the first box of Airfix Waterloo French I ever bought. After a period when I have systematically cleared out and replaced all the figures which were substandard, and bought in all sorts of prestigious castings from Jorg Schmaeling and so on, I deliberately retained that one Airfix officer as a memorial to the early days of my armies, when Airfix formed most of what I had.

Non-regulation hat

In a similar vein, I am always on the lookout for unusual staff figures - it is not so easy to believe in your generals if they are all very obviously identical brothers, from the same mould. Here's a new chap - a French General de Brigade wearing an infantry shako - form your own explanation why he chooses to wear his lucky hat (or whatever) - this is clearly Hinton Hunt FN224 with a new head. I am reluctant to hack up old HH figures myself, but am always pleased to buy in conversions which someone else has done, to add variety - I like this little chap.


Late edit, to oblige Louis - as requested, here is the old Airfix mounted officer in the 2/27e Ligne. This entire brigade used to be Airfix - the officer must date from the very early 1970s - you will note that in those days I was keen enough to replace sword-blades with dressmaking pins. To heighten the contrast, I see that the Les Higgins rank and file are now augmented by distinctly up-market eagle-bearer and drummer from Art Miniaturen.

Not a THIRD Battalion, Surely?



My Peninsular War Allied army has two battalions of the 95th, 6 companies of the 5/60th and two KGL light battalions, so I already have more little green men than you could shake a ramrod at. This last year, in fact, I have sold, given away and otherwise disposed of some dozens of unpainted Les Higgins riflemen from the spares department, since only a madman could possibly need any more than I already have.

Right.

Unexpectedly, from various sources I have now obtained enough of the excellent Qualiticast Rifles figures to make up another of my small rifle units, so here, gentlemen, we have the 3rd Battalion of the 95th, some of them wearing the very cool forage cap, in appropriately Sharpesque style. Of course, I might have used them to replace one of my existing Higgins units, but I couldn't bring myself to do this, so three battalions it is - which is historically correct for the late Peninsular War anyway, I hasten to add.

Tuesday, 10 January 2012

Tree Blight

For the scenic aspects of my wargaming I use - pretty much exclusively - very old Merit trees. These were made by J & L Randall Ltd, whose range of HO/OO railway accessories is legendary, and I have a lot of them, in the three known varieties, some dating back to the late 1950s, I would guess. Some of my oldest fir trees of this type were among the very earliest trackside scenic add-ons for my first model railway (if anyone cares, my first loco was the Hornby Dublo LMS "Duchess of Atholl", which was prehistoric even when I first got it).


The definitive posting on Merit is in Clive's wonderful Hinton Hunter blog, here. I love these trees. I'm not completely sure why - they don't look especially realistic, to be sure, but they are part of that old black-and-white tradition in Terry Wise's early books and elsewhere, they are clean and practical, and I have come to take them for granted as part of my own arrangements. I have also owned much more expensive and exotic trees from all sorts of specialist makers, and they have come and gone - literally - like the withering leaves. Storage is never satisfactory with the de-luxe jobs, and I have a lifelong hatred of foliage flock detritus - no doubt a symptom of a heavily anal upbringing, but also of the permanent need to have wargaming co-exist pleasantly and harmoniously with the other activities of formal dining-rooms etc. So all the fancy stuff has passed on, yet I still have the Merit trees, augmented now and then by finds on eBay and elsewhere. The prices have become a bit silly - especially for someone like me who doesn't even keep the original boxes.

Shock horror. My world is now threatened by the gradual deterioration of my trees. The plastic, over all this time, has started to change. The rot is uneven, but some of them now have the structural properties of spun sugar, and are extremely delicate. I try to glue damage as it occurs, but I can see that my HO/OO plastic ecosphere is showing signs of sliding into history. This is not a trivial matter - I really don't know what I shall do if I have to replace them. No-one has ever made a direct equivalent and - very sadly indeed - the re-issue of almost the entire Merit range by Modelscene has specifically excluded the trees. I gather that the moulds were beyond redemption, and it has been suggested to me that they are unlikely to reappear, since modern flocked trees are so good now, and only a crazed nostalgist would want the Merit items.

I can almost feel the tears welling up as I write this. I shall continue to look after the trees I have left, but this is beginning to feel like a real ecological issue - does no-one care if, along with the red squirrel, my silly old trees disappear? I have to stop now - can't go on...

Monday, 9 January 2012

CCN Practice Game - Supplementary

After the bird feeders were back in action, what Nick really wanted to do was design his own battlefield, of course, and - being 9 - he got a bit carried away, and built a monster town in the middle of the table, using just about all of of my available buildings.

Eventually, when the Theme Park was complete, we had to have another (small) CCN fight in it. Somewhat wearily, I set up about 6 infantry units a side, knowing full well that the game was going to be a disaster - unplayable.

I have news - it worked - it was not very interesting, but CCN can handle this without problems, which is a surprise to me. There are a few no-brainer things to remember - in particular, since the rule for fighting into a town/village hex requires deduction of 2 combat dice, units having (or having been reduced to) an entitlement of 2 dice or less are no use at all in street fighting, and have to be pulled out and replaced with a bigger hammer, but otherwise it works.

Since I am never likely to have a town of this size set up again for a CCN game, I took a couple of pics.

Santiago de los Infantes - CCN Practice Game

Since it is the last day of the school holidays, I agreed with my son (who is 9) that he could help me with a Napoleonic battle - partly to keep us both entertained, and partly to keep my hand in with the Commands & Colors rules. Nick is a useful participant, since he is enthusiastic (sometimes about rather obscure aspects of the game), and goes about commanding his army in the manner of a 9-year-old, which can produce some interesting situations which you wouldn't normally try out - we all know a suicide attack is not likely to work, for example, but you don't often get to see one.

The place is crawling with them

Clauzel bringing his boys forward (Art Miniaturen)

French tirailleurs (Falcata & Art Miniaturen)

Morschauser or what?

Our battle was deliberately a big one - towards the upper end of what I think the normal CCN rules will handle. I won't attempt to dignify the game with any kind of report, but a few things and thoughts cropped up which I thought were worth noting.

(1) The action had 30-odd French units (mostly infantry) attacking a similar force of 20-odd Anglo-Portuguese - Bertrand Clauzel, with his own and Maucune's divisions of the Armée de Portugal and some cavalry support, attacking Picton's Allied 3rd Division, again with a little cavalry added. This is a fair old table-load, and again I am struck by the fact that lots of units lined up on a gridded table always looks like Morschauser.

(2) Mostly because I would normally avoid the situation, we placed a fordable river across half the middle ground to see what happens. Man, what a pain. Trying to shift a largish infantry force to stage a proper attack needs some very favourable Command cards at the best of times, and the additional delay caused by the stream makes it awful slow going. The French attack across the stream never got any momentum at all.

(3) Light infantry ducking in and out of woods are handy chaps, and they can fight as soon as they get in there, unlike the line, who have to spend a turn organising before they can carry out any combat when entering a wood.

(4) At one stage, I wasted a serious lot of time trying to defeat a single Portuguese battalion in square - I had two dragoon units nagging away at them, and it was pretty much a stalemate. Some horse artillery would have been a real boon.

(5) The amazing Flying Foot Artillery - at one point, Nick played the dreaded Grande Manoeuvre card, which allows you to move a bunch of units a long way in a hurry, and he took the mad step of advancing a battery of foot artillery onto a bridge over the stream. I wouldn't have done that, but it has to be said that they blew away allcomers for the rest of the battle, and were still there at the end. The point is duly noted.

(6) The main lesson of the session was probably that this size of a battle results in large clusters of units trying to get into action. Unless you are very lucky with the cards, or spend a long time collecting a good hand, the attacker can spend a long, frustrating while trying to trickle everyone into position by twos and threes. Defending becomes a much easier choice. An option, short of switching to my Grand Tactical variant (which would produce a very small game in this case), is maybe to inflate the numbers of units allowed to be ordered by the cards - double would be interesting.

(7) It was still very good fun. Nick enjoyed the CD of Napoleonic marches in the background, which the Royal Society for the Prevention of Cruelty to Children may be surprised to learn, and we finished comfortably in a little over 2 hours, which is remarkable considering the size of the action and the need to explain everything (no - it was me doing the explaining...).

We have to go and fill the bird-feeders now, and then we'll tidy up the battle, and Nick wants to try another one. Good so far.

Saturday, 7 January 2012

Hooptedoodle #40a – Napoleon’s Last Words

Definitely not tonight, Josephine

Well, with thanks to super-sleuth Metal Detector, I revisited the death-bed scene in the Clavier film, this time with the Danish subtitles switched on. I still can’t make out what he says but, according to the subtitles, he says “Helvedet... Arméen...”, which Google Translate reckons means something like “Hell... army...”, which might be a nice reference to Jean Lanne’s earlier dying words, in which he maintained that he was going to Hell, because that is what happens to people like him, and that he would meet Napoleon there.

I was sort of comfortable with that, but I find that a more official record of Napoleon’s last words says that he said “tête d’armée...” and then “Josephine...”. I guess he just mumbled, and no-one really knows. Please feel free to make up your own version. That is my own Last Word on the subject.

In the wider world of last words and epitaphs, there are some great classics, of course. Two of my personal favourites are Spike Milligan’s proposed epitaph, “I TOLD YOU I WAS ILL”, and the reported last words of Buddy Rich, the noted jazz drummer and psychopath – as he went in for his final (unsuccessful) heart operation, he was asked if he was allergic to anything, and replied “Country & Western music”.

Friday, 6 January 2012

Hooptedoodle #40 - The Maxims of Ernie's Dad


Now this really is a silly one. I had another go at trying to hear what Napoleon's last words are in the Christian Clavier film, and I still can't make it out. For a moment I thought how weird it would be if he said "Rosebud", and then I remembered Ernie's dad. The connection is, at best, tenuous - all right - there is no connection - it's just something to do with the humour implicit in trying to find deep philosophical meaning in something which is actually meaningless. Analysts of Beatles' lyrics used to excel in this field.

My old friend Ernie - alas no longer with us - was Welsh, and his dad was a fearsome ex-miner with a devotion to Chapel and to strong drink. When Ernie left home at 16 to become a naval cadet, his father made one of the longest speeches of his life. He said, "Always remember to trust in the Lord, Ernie, and never forget that what you keep in your pocket will strike no sparks".

Ernie promised that he would remember it, and for years afterwards he wondered what on earth it meant. When his dad became old and infirm and went into a nursing home, Ernie went to visit him, and decided to ask him about it. His dad said, "Did I say that? Can't remember anything about it - it makes no sense at all to me", and the subject was never mentioned again. Having fretted about it for years, Ernie was understandably disappointed.

If you were hoping that, in spite of everything, there might be some point to this story, you have my apologies.