Napoleonic & ECW wargaming, with a load of old Hooptedoodle on this & that


Tuesday, 8 March 2011

Custom Wargame Dice


Here's an early preview of my new Two-in-One custom dice for wargamers. To be honest, we're still having some teething problems with them.

They are very comfortable in the hand, and are specially designed for those gamers who don't like to get results too quickly. They also have obvious appeal for devotees of Little Wars-style games, since they are ideal for throwing at the enemy's troops.

Monday, 7 March 2011

Commands & Colors: Napoleonics - More On-the-Job Training


Russians & Prussians down the right hand side. Terrain is based on the Rolica scenario. I wouldn't drink from that river.

This weekend I finally played my first CCN games with an opponent. Clive - the Old Metal Detector himself - kindly came up to the Land of Mud to help with the action. I even got to see his umbrella, which he brought along.

The CCN game is now sufficiently well established for there to be a good number of players with more experience and better understanding than I have, so there is not a great deal of point in my revealing my findings in great detail, but we did learn a few things.

We fought three battles which were closely based on the first 2 scenarios in the CCN book. I say closely based because:

(1) My hex table has the hexes rotated 60 degrees from the CCN board, and has slightly different proportions. None of this is a big problem, but I am now giving some serious thought to painting CCN-oriented hexes on the reverse side of my war boards, complete with painted-out part-hexes on the edges of the table (don't hold your breath).

(2) Clive brought some lovely vintage Russians and Prussians - mostly Hinton Hunt and Der Kriegspieler - to fight my French army. In the absence of an official GMT national chart for these armies, we defaulted to making their characteristics the same as those for the French.

To finish 3 battles in a day, still able to speak and walk about, is a rare event indeed at my house. We learned a lot, almost all of which is certainly well known to many other players already. The main things were:

(1) The game makes a whole lot more sense with two players. It is an excellent game, though I do not think it is the only game I will ever wish to play.

(2) For players with little experience of CCN, defending is far easier. We decided that attacking needs very good co-ordination of troops (and thus shepherding of suitable cards). In particular, bringing artillery up to support attacks needs a lot of skill.

(3) The limited activation of units, about which I had misgivings, works well. Luck with the fall of the cards helps a lot, but the turns are crisp and logical, and the game seems inherently sensible as you play it through.

(4) It does matter where you place your generals - if you are sloppy about this, a leader may get in the way of one of your fighting units, and he might even be eliminated by enemy attack.

(5) The game works well with miniatures - we had no problems with the rules, though inexperience required us to do a lot of reading of the fine detail of Bonus Combats and so forth. It is vital to make best use of the terrain, and to use troop types to their strengths.

Retrospective edit: Clive now has a couple of very nice slideshows of his photos of these games posted here or here.

Friday, 4 March 2011

A Funny Thing Happened on My Way to the Probability Well


Following comments on a recent posting, I decided to obtain a copy of David Gates' The Spanish Ulcer to replace the one which I sold some years ago, before I had had a chance to read it. I guess I don't really need any more books on the Peninsular War, but this one is well thought of.

I had a scratch around online - there were some used paperbacks for sale here and there, and it was obvious from the price of good hardback copies that the book is in some demand. I was delighted to obtain a decent hardback copy on eBay at a very reasonable price. It arrived this morning, posted from Wigtown, in the bottom left corner of Scotland.

It is an excellent copy - it smells faintly of cigarette smoke, but not upsettingly so. On the front endpaper is my name, dated August 1986.

I sold a large part of my book collection - in the days before eBay - to a dealer in Kelso, in the Scottish Borders. The seller who sold it to me this week says it came from a military collection in East Kilbride, so it has circulated around southern and central Scotland for over a decade. Scotland is not a heavily populated country, but when you consider the events that led up to my decision to purchase, this is still a fairly long shot.

Anyway, it's back, and I am pleased to see it. Thanks to all who contributed to the discussion which brought this about.

Thursday, 3 March 2011

Falcata - if you blinked you missed them


My earlier post on Falcata Miniaturas, the Madrid based manufacturer of 1/72 scale white metal Napoleonic figures, has attracted a lot of interest since it appeared - I think it's currently at No.2 in my all time hit list!

I've also had a number of enquiries asking for details of the range, and their current availability. I have to say that I don't really know very much about them. They started production in September 2004 - I am reliably informed that the original intention had been to make the figures in plastic (which makes sense when you see the range of poses), but they opted for white metal - and they seem to have closed the business sometime in 2008. The date is uncertain - supplies to retail outlets stopped, and stock was gradually cleared. Remainder items are hard to find now, though they turn up on eBay from time to time.

The range, sold in packs of 34 castings, was:


FE-01 Spanish Line Infantry


FE-02 Spanish Grenadiers


FE-03 French Infantry


FE-04 British Infantry


FE-05 Spanish Garrocheros & Lanceros de Carmona


FE-06 KGL Heavy Dragoons

and that was as far as they got. Subsequent releases were planned thus:

FE-07 Spanish Guerrilleros
FE-08 Spanish Line Artillery
FE-09 Spanish Hussars
FE-10 British Rifles
FE-11 French Guard Marines [for Baylen?]
FE-12 Polish Guard Lancers [for Somosierra?]
FE-13 British Highlanders

but, sadly, they never appeared.

Tuesday, 1 March 2011

My Peninsular War Spanish Armies (1) - Nationalists

If you study a modern English-language history of the Peninsular War - and Charles Esdaile's book is a particularly good example - you get an impression of that conflict which would have been barely recognisable 50 years ago.

It seems unbelievable now, but my original plan for my wargame armies for the Peninsular War had no Spanish troops on either side. Laughable might be a better word. There were reasons. Partly it had to do with the availability of suitable miniatures in the correct scale (20mm or old-fashioned 25mm - basically "1-inch" figures), but it is also true that the overwhelming impression I gained from my reading prior to (say) 1975 was that this was appropriate. I had read and re-read Michael Glover's "Wellington's Victories in the Peninsula", and moved on to his more substantial "The Peninsular War 1807-1814" when it appeared in 1974. Looking at it again today, it is remarkable. Considering that Glover freely acknowledges that his main source was Oman's multi-volume tome, it does make you wonder what happened to all the Spanish bits. The narrative strings together the campaigns of the British troops (with some reference to their integrated Portuguese allies) and of the French armies which were specifically engaged in opposing them. Thus there is only fleeting reference to the other French armies (virtually nothing about the crucial fighting between Suchet and the guerrilla forces in the north, for example), and the Spaniards appear only rarely, and in cartoon form. Cuesta is portrayed as a character straight out of Punch and Judy, and the performances of the Spanish field armies are mentioned only when they support the general themes of incompetence and disorganisation. The cataclysmic Spanish success at Baylen is covered in two short paragraphs, and - to restore balance - Castaños is described as "one of the few Spaniards of talent".

You get the idea. This polarised view of history was supported by Jac Weller's "Wellington in the Peninsula" and by what I had seen of the classic work by Napier. The Spanish guerrillas were effective (if distressingly given to barbaric vengeance), but the real war was between Wellesley/Wellington and the French Army of Portugal. This was the received British view of the Peninsular War.

Because of the shortage of pre-1812 wargame figures, I was pretty much committed to the later stages of the war, and I took Salamanca as my period of choice. Admittedly there were some Spanish troops in the Allied army at Salamanca, but they did not play a major part, I could find little or no reliable information about either their organisation or their dress, and the writings of Messrs Featherstone and Co suggested very strongly that no-one would actually choose to command a Spanish force anyway. So though I did pencil De España's division into my proposed OOB, I had no thoughts really on how to set about recruiting it.

Since my return to wargaming this period in recent years, I find that the histories now give a much wider view, and that it is now generally accepted that the Spaniards did much more than merely providing a location and an excuse for the British and the French to fight each other. I have done a lot of work on researching and building Spanish contingents for both sides, still taking my base year as 1812. It is a lot easier now.


The Nationalist Forces

None of this would ever have been possible if I hadn't obtained a copy of JM Bueno's fine "Uniformes Españoles de la Guerra de Independencia", which is a real reference bible. In the scales I use, only Hinton Hunt and Minifigs (I can use some S-Range figures) made Spanish infantry in the British supplied 1812 uniform. Since I was dissuaded from selling the house to raise funds to purchase HH (which, strictly speaking, are a tad small for me anyway), I managed to collect together enough Minifigs SN1s figures to put together some battalions. Partly this was achieved though some swaps which in some cases amounted almost to acts of charity - I am still very appreciative of everyone who helped. Most of my line units are SN1s, with mounted colonels converted from Art Miniaturen Belgians. The Cazadores de Castilla required a double-breasted coat with British light-infantry style shakos, so Falcata French infantry were fitted with Higgins British LI heads. Because I could not get hold of enough S-Range infantry, I also have a battalion of Warrior figures. They are OK, but I'll replace them if I can get more of the Minifigs. There's something about Warrior - if you measure them they should be reasonably compatible, but somehow they don't look quite right. Also, they always have that lunging stance which causes visitors to say, "Ah - I see you have some Warrior infantry - what unit is that?".


Regiments of Sevilla, 2nd Princesa and Jaen, with, in the foreground, the Tiradores de Castilla (left) and Cazadores de Castilla.


I have also added a battery - the gunners are uniformed in the French style - not least because the castings are NapoleoN French foot artillery. The officer is Art Miniaturen.

My generals are as yet unpainted - they are in the pipeline. I would like to add some cavalry, but am still looking for suitable figures. Warrior do make lancers, but they have a touch of Picasso’s Don Quixote about them which makes it hard for me to take them seriously, and Warrior's own horses are too like Bucephalus to fit in. There were (very briefly) some terrific Falcata lancers, available a couple of years ago, but I missed those (of course).

I'm now working on a militia brigade to add to this organisation - 4 battalions plus a battery. Castings are NapoleoN and more Minifigs S-Range, and I hope to obtain a battalion's-worth of Kennington's 1812 American militia, which look to me like a good prospect for a nation switch. I'll put some pictures up here when the militia are painted and ready for action.

Thursday, 24 February 2011

Hooptedoodle #19 - Safety in Numbers


Foy's Ninth Law is:

Top-end technology is valueless if you man it with bottom-end personnel.

I'm aware that there has been a regrettable element of flippancy in some of the recent Hooptedoodle posts, and I am determined to get back to nice, opinion-free pictures of painted soldiers as soon as possible, but today's post is brought to you because I feel obliged - duty-bound, even - to share something which may make you feel a whole lot more comfortable.

It might even improve your day.

I know a lot of people worry about security - we know that we are being watched, that our emails are being sniffed, that International Crime is listening to our mobiles. Only recently, the British Daily Mail (bless them) were explaining how illegal immigrants spend their nights trawling through dustbins, looking for documents which we have thoughtlessly left there, which will enable them to steal our identities. That's right - steal them. And how are you going to cope with having no identity? If you were the sort of person who was unguarded enough to speak to a stranger, how would you introduce yourself?

This is a very serious matter. Characteristically, I have been giving it much thought. There is also the worrying possibility that anyone who steals my identity might actually get some use out of it (something which I have never managed) or, even worse, might bring it back to complain about it.

Well, it's a small step, but I have some good news. The credit card companies, at least, are doing their best for us. Last night I set about paying my credit card balance online, as is my habit, but found that the secure part of the website was shut down for maintenance. Naturally I was a little disgruntled about this - I mean, the whole point of the internet is convenience, right? - and, apart from that, I'd even made a fresh cup of coffee specially. However, these things happen, so I left it until this morning, and tried again.

Still no joy. Now an inaccessible secure website is pretty secure, I have to admit, but not being able to pay my bills is tough going. I searched around the website until I found the helpline number for the online service. After some delay, I spoke to a very pleasant, very correct young lady, to see if she could tell me when the online service was going to be back up again, so that I could plan my day around this convenient facility.

You will be reassured - possibly delighted - to know that the young lady would not give me this information until we had gone through my credit card number, my full name, the first line of my address and my mother's maiden name. Now that's more like it, I'm sure you'll agree. If, like me, you were worried about illegal immigrants gaining information about when the credit card company's website will be working, then this will be good news.

It did occur to me that the helpdesk will probably be very busy this morning, with people worrying about what has happened to the website, and that the requirement to go through The Security Procedures with each one may well explain why I had to listen to a few minutes of Mozart before I could speak to the young lady. However, I realised that this was not a helpful thought - just a quibble, really - and that I should focus more on the positive aspects of being protected.

Tuesday, 22 February 2011

Hooptedoodle #18 - Eric


Michelangelo's "Eric"

By some roundabout route, this short post is inspired (if that is the word) by further thoughts I had on yesterday's piece about provenance, and the general subject of fakes.

My late cousin and I shared a lot of private jokes over the years, most of which were greeted with puzzled stares from outsiders. We played a long-running game called "Not Quite", which kept us in stitches for years.

The theme of the game was things which were not quite successful, or not quite genuine. We started off with "Songs Which Nearly Made It", which included lots of groanworthy items such as "I've Got You Under My Sink", "Two Coins in a Fountain", "Trouble over Bridgwater" and many others. How we larfed. [Bridgwater, by the way, is a town in Somerset, England - it is a mysterious and little-understood characteristic of the British that we view our towns as a source of amusement, which does not mean that we are not proud of them. Whereas in America, for example, it is considered highly acceptable to write enthusiastic, sentimental or romantic songs about Tulsa, Phoenix, Galveston, Chicago, New York et al, in Britain - with the exception of London and (possibly) Glasgow - such mention of local places in songs is guaranteed to cause merriment - "April in Rochdale" was one of my cousin's favourites.]

We moved on from song titles to books, and then to the vast panoply of the world's fakes and magnificent near-misses. Cousin Dave was delighted to learn that Michelangelo's David, in Florence (no, not the one in Sheffield), the most-photographed tourist magnet of them all, is actually a fake. The original is held, sensibly, in a secure location in a museum. Dave thought that it was a little shabby of the authorities not to come clean on this. He felt that they should admit it was a replica or, if that was too uncomfortable, they might claim that the statue in the square was actually David's younger brother, Eric. After a suitable amount of sniggering, we called the statue Eric for ever after.

The point is (or "a possible point might be") that, if countless millions of tourists have queued to photograph, gawp at and pay homage to Eric over the years, then he has a provenance all his own. He is better known, in truth, than his more reclusive brother.

He is one of the truly great Not Quites. Respect.