I'm not a big tennis fan, though I can waste whole afternoons watching matches on TV if I get caught up. Wimbledon is on the telly. It's a British institution. Strawberries and cream, top players, excitement, thrills and shocks - and it's all brought to us by the BBC. In fact it would be difficult to find much fault with the way it is brought to us by the BBC, but they do suffer a little from the delusion that they somehow own the event. Having given us the Women's Football World Cup, we are now lucky enough to have Wimbledon bestowed upon us. We are not worthy. [At least it is one thing remaining for which we do not have to pay the Murdoch family.]
Yesterday Johanna Konta, who is a British player, lost her quarter-final match in the Ladies' Singles. I didn't see the game, but I did see this clip of the post-match press interview [click to watch it - it's worth the time]. One journalist, who would have been fawning and offering to wash her car if she had won, assumes the role of careers teacher when she loses - we will have an insensitive, analytical look at her weaknesses, and the camera will give close-ups if she is moved to tears. Great TV, too.
Well, no. I am delighted to observe that Ms Konta pulled him up very nicely, and told him his fortune. One small but maybe significant blow against the army of overpaid parasites who make a soft living out of the media aspects of professional sport, capitalising on the dedication, talent, hard work and heartache of others. Just because this twerp gets to interview or write about the best players in the world does not give him any credentials of his own - knock him down with a French loaf. I am sick of seeing microphones being stuck under the noses of distressed sportsmen and women who are obviously struggling to keep it all in.
"How disappointed are you feeling at this moment, Mauricio?"
"Why don't you go and **** yourself, you moron?"
Nice one, Johanna - I shall follow your career with more interest!
Napoleonic & ECW wargaming, with a load of old Hooptedoodle on this & that
Showing posts with label Twaddle. Show all posts
Showing posts with label Twaddle. Show all posts
Wednesday, 10 July 2019
Tuesday, 25 June 2019
Reining in My Enthusiasm - Whinge of the Day
I was checking out my painting queue, and - inevitably - I came back to a pile of mounted figures which are stuck until I find out how to assemble them. These figures are mostly (though not all) from Hagen Miniatures, and they are splendid little figures, but they are all the work of the demon sculptor, Massimo, who likes to produce his horses without reins.
Here's an example - this is part of a very nice set of French general staff - you can get these from Hagen. Obviously, you simply have to fit reins, running from the bridle bit, round the rider's hand(s), draped artistically, depending on the action. What could be easier?
Well, my problem is that I cannot find a method of fitting reins to the horses which works for me - I've had so many harrowing episodes trying to solve this that I have now developed something of a phobia about it - I have managed to fit about 3 horses with reins successfully over a 3 year period, and there have been a lot more than 3 failures. In my project boxes, waiting to be assembled, I have 40 Spanish cavalry, 20 Portuguese cavalry, 10 French cavalry and about 30 or 40 assorted staff and celebrity figures, and none of these is going to make any progress at all until I understand what to do about it.
I have tried fuse-wire of various thicknesses (a couple of successes, but it is a nightmare to bend to shape, and won't take a sharp curve), cotton thread (a recommendation from Hagen - it sort of works, but it's hairy, man!), copper wire, aluminium wire (assorted thicknesses from 0.56mm to 1mm), lead foil from wine bottles, nylon fishing line (2 thicknesses)...
This should be a reasonable thing to achieve, I'm hardly a craftsman, but I have many years experience of hacking figures about, drilling, reshaping - my regular re-heading jobs in 20mm have caused my wife some unease for a while now. This reins issue has me flummoxed, and no mistake.
Any sensible or wise suggestions as to how I may shape up and get on with this? All help would be most welcome. Solutions involving superglue just cause an exasperating mess - even with the official accelerator, the bloody stuff is hopeless.
I've even had a look at some online sites which describe how to tie fishing flies, which I thought might be useful, for techniques and materials, but this is getting well away from the topic. Anyone done this? A few kind words could change things quite a bit...!
Topic #2 - a Painting Story
I'm currently painting batches of Les Higgins French infantry - I've been lucky enough to get some welcome assistance with painting lately, but this work will be ongoing for a while yet. I was reminded of another occasion - many years ago - when I was painting Les Higgins Frenchmen, which makes me wonder whether my life has progressed at quite the rate it should have, but no matter.
This story is set in a flat I once had in the Marchmont area of Edinburgh, which must date it pretty accurately to about 1974, I guess. I had a phone call from my friend Allan, who was a regular wargaming opponent and buddy at that time. This was on a Friday, when I was at work. Allan was expecting a visit from an old pal, and was going out drinking with him on Saturday evening - if I was up for it, they would call for me and we could go up to Chic Murray's at Bruntsfield Links.
Fine - I was up for that. Saturday came and went, and no-one called and no-one rang. That's OK - I've been stood up before. On Sunday afternoon I was finishing off some wargames figures (the aforementioned Higginses) when the doorbell rang. It was Allan, with his friend Lammy.
Lammy was originally an Edinburgh man, but Allan had met him in Zimbabwe some years before. He now lived in Gibraltar (I think), and was back in Edinburgh for his mother's funeral. [His name, I should explain, was Lawrence, but he was called Lammy as a reference to a long-forgotten kids' radio programme called "Larry the Lamb" - I could tell you wanted to know this.]
Lammy was a bit loud for me - drink had obviously been taken already, and he was definitely a tad bumptious.
"Ah - painting...!" he roared, and he sat down at my painting desk, switched on my old Anglepoise lamp and produced a folding magnifying glass from his pocket - he began to study my paintwork.
I wasn't very comfortable with this at all - my painting was probably effective enough from the opposite side of the table, preferably in very dim light, but I was not happy at the prospect of a serious review. Allan explained that Lammy was a very keen figure painter, and regularly organised and judged painting competitions at his club in Gibraltar (or wherever it was). That didn't make me any more relaxed at all, especially when Lammy began to announce his findings...
"Hmmm.... Aha!... Hmmm... Gosh..." and then, more alarmingly, "Oh dear...."
"I take it this is a line regiment?" Lammy directed his question at Allan, who nodded to me, with his eyebrows raised. I realised that I must still be there, after all.
"Yes," I said, "they are the 76e Ligne, they are intended for the Peninsular War in about 1811."
Lammy was delighted - he tipped his head and looked at me sideways, like Hercule Poirot making an accusation. If he'd had a moustache he'd have twirled it.
"You realise, of course, that only Guard regiments had brass fittings on their muskets? The line had steel, so this is incorrect. Why did you paint brass fittings...?"
I was getting a bit hot and bothered at this point, but Allan cut in, very smoothly.
"No, it is not incorrect. The 76th Line had been on service in Martinique, as you will probably be aware, and my guess is that Tony has assumed, very reasonably, that they will have brought their muskets back with them. Of course, the muskets issued for colonial service were of superior quality and had brass fittings, like the Guard's."
"Erm - oh yes, of course..." said Lammy, and he excused himself to visit the toilet before we went up to Chic Murray's.
I was very impressed, and said to Allan, "How did you know that stuff about the French colonial service? - I just thought all the muskets had brass."
"I know next to nothing about French muskets," said Allan, "but I can bullshit with the best of them. Lammy is a very indifferent painter, to be blunt about it, and not much of an expert, so just nod and say yes when it seems appropriate. It'll be fine."
Here's an example - this is part of a very nice set of French general staff - you can get these from Hagen. Obviously, you simply have to fit reins, running from the bridle bit, round the rider's hand(s), draped artistically, depending on the action. What could be easier?
Well, my problem is that I cannot find a method of fitting reins to the horses which works for me - I've had so many harrowing episodes trying to solve this that I have now developed something of a phobia about it - I have managed to fit about 3 horses with reins successfully over a 3 year period, and there have been a lot more than 3 failures. In my project boxes, waiting to be assembled, I have 40 Spanish cavalry, 20 Portuguese cavalry, 10 French cavalry and about 30 or 40 assorted staff and celebrity figures, and none of these is going to make any progress at all until I understand what to do about it.
I have tried fuse-wire of various thicknesses (a couple of successes, but it is a nightmare to bend to shape, and won't take a sharp curve), cotton thread (a recommendation from Hagen - it sort of works, but it's hairy, man!), copper wire, aluminium wire (assorted thicknesses from 0.56mm to 1mm), lead foil from wine bottles, nylon fishing line (2 thicknesses)...
This should be a reasonable thing to achieve, I'm hardly a craftsman, but I have many years experience of hacking figures about, drilling, reshaping - my regular re-heading jobs in 20mm have caused my wife some unease for a while now. This reins issue has me flummoxed, and no mistake.
Any sensible or wise suggestions as to how I may shape up and get on with this? All help would be most welcome. Solutions involving superglue just cause an exasperating mess - even with the official accelerator, the bloody stuff is hopeless.
I've even had a look at some online sites which describe how to tie fishing flies, which I thought might be useful, for techniques and materials, but this is getting well away from the topic. Anyone done this? A few kind words could change things quite a bit...!
Topic #2 - a Painting Story
I'm currently painting batches of Les Higgins French infantry - I've been lucky enough to get some welcome assistance with painting lately, but this work will be ongoing for a while yet. I was reminded of another occasion - many years ago - when I was painting Les Higgins Frenchmen, which makes me wonder whether my life has progressed at quite the rate it should have, but no matter.
This story is set in a flat I once had in the Marchmont area of Edinburgh, which must date it pretty accurately to about 1974, I guess. I had a phone call from my friend Allan, who was a regular wargaming opponent and buddy at that time. This was on a Friday, when I was at work. Allan was expecting a visit from an old pal, and was going out drinking with him on Saturday evening - if I was up for it, they would call for me and we could go up to Chic Murray's at Bruntsfield Links.
Fine - I was up for that. Saturday came and went, and no-one called and no-one rang. That's OK - I've been stood up before. On Sunday afternoon I was finishing off some wargames figures (the aforementioned Higginses) when the doorbell rang. It was Allan, with his friend Lammy.
Lammy was originally an Edinburgh man, but Allan had met him in Zimbabwe some years before. He now lived in Gibraltar (I think), and was back in Edinburgh for his mother's funeral. [His name, I should explain, was Lawrence, but he was called Lammy as a reference to a long-forgotten kids' radio programme called "Larry the Lamb" - I could tell you wanted to know this.]
Lammy was a bit loud for me - drink had obviously been taken already, and he was definitely a tad bumptious.
"Ah - painting...!" he roared, and he sat down at my painting desk, switched on my old Anglepoise lamp and produced a folding magnifying glass from his pocket - he began to study my paintwork.
I wasn't very comfortable with this at all - my painting was probably effective enough from the opposite side of the table, preferably in very dim light, but I was not happy at the prospect of a serious review. Allan explained that Lammy was a very keen figure painter, and regularly organised and judged painting competitions at his club in Gibraltar (or wherever it was). That didn't make me any more relaxed at all, especially when Lammy began to announce his findings...
"Hmmm.... Aha!... Hmmm... Gosh..." and then, more alarmingly, "Oh dear...."
"I take it this is a line regiment?" Lammy directed his question at Allan, who nodded to me, with his eyebrows raised. I realised that I must still be there, after all.
"Yes," I said, "they are the 76e Ligne, they are intended for the Peninsular War in about 1811."
Lammy was delighted - he tipped his head and looked at me sideways, like Hercule Poirot making an accusation. If he'd had a moustache he'd have twirled it.
"You realise, of course, that only Guard regiments had brass fittings on their muskets? The line had steel, so this is incorrect. Why did you paint brass fittings...?"
I was getting a bit hot and bothered at this point, but Allan cut in, very smoothly.
"No, it is not incorrect. The 76th Line had been on service in Martinique, as you will probably be aware, and my guess is that Tony has assumed, very reasonably, that they will have brought their muskets back with them. Of course, the muskets issued for colonial service were of superior quality and had brass fittings, like the Guard's."
"Erm - oh yes, of course..." said Lammy, and he excused himself to visit the toilet before we went up to Chic Murray's.
I was very impressed, and said to Allan, "How did you know that stuff about the French colonial service? - I just thought all the muskets had brass."
"I know next to nothing about French muskets," said Allan, "but I can bullshit with the best of them. Lammy is a very indifferent painter, to be blunt about it, and not much of an expert, so just nod and say yes when it seems appropriate. It'll be fine."
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| Edinburgh drinking-places of the 1970s - this was a good one - lots of after-hours darts matches, and they had a fantastic mynah bird that used to swear at the customers... |
Monday, 17 June 2019
Hooptedoodle #336 - Did I Jump Too Soon?
I've managed to steer clear of the Tory Leadership circus in the last few weeks, and I must say I feel a lot better for it. I reasoned that the party members are sufficiently self-obsessed to be able to carry on without my paying attention, which is a relief. Since my announcement that I would not be putting myself forward (see my Fake News Hooptedoodle from last month, if you can be bothered), I have had occasional requests to reconsider.
I confess that there have been moments when I was tempted - occasionally I would see one of the hopefuls in action, and find myself thinking, "you know, I could do that...", but commonsense has triumphed, I believe, and I am happy not to be involved. In any case, I'm trying to keep myself free in case I get offered the manager's job at Chelsea FC, which will probably have a more secure future than that of UK Prime Minister. The big problem for me is this Brexit thingy - I haven't the faintest idea what they are on about. We all have to accept our own limits, I think, and, though I have been waiting patiently for the Daily Mail to finally come to my aid, and explain clearly how this No-Deal business is all going to work (since they obviously understand it), I'm still none the wiser. Best to stay out of it, then - my Preston grannie would have had something pithy to say on the subject, you bet.
I understand that the first of the televised debates for the real leadership candidates [real? - discuss] took place yesterday, and Mr B Johnson did not appear - his chair and lectern remained empty throughout. I didn't watch the thing, naturally, and I am reluctant to admit it, but I'm quite impressed by that. Not only did he set himself up to be the only candidate who did not disgrace himself last night by speaking drivel on live TV, but it seems he actually increased his share of the opinion poll by not turning up. Brilliant. Fleetingly, it occurs to me that I, too, could have failed to show up, but I'm sure I couldn't have done it so charismatically or impressively.
This is not a new concept - fairly recently, the United States elected a president who was not a politician, for example, so the idea of a null candidate has been around for a while. I recall that many years ago someone wrote a song in support of a US presidential nominee named Nobody - on the grounds that this was exactly the person who would govern with integrity, who would care for the poor and the sick, who would ensure that the legal system and taxation were fair for all, etc. I had a look, but couldn't find the old one (1970s? - yes - we've had buffoons around for as long as that). I did find this clip, however, which would be better if it hadn't been so childishly produced, but it makes the point. Clearly we have to have someone running things, but would a vacuum be better than an idiot? Worth thinking about. Does an empty chair have real advantages over Boris? Hmmm.
I'm bored with this now. I'm still not going to watch the next live debate, but am intrigued to see if this cunning ploy catches on, and no-one turns up to it at all - trying to out-absent each other. Keep your cards hidden. Say nowt. That would be something.
Better still, perhaps they could all just shut up and leave us in peace. I am sick to death of hypocrisy, flagrant dishonesty and self-promotion. Some clown tried to sue Mr Johnson recently for telling lies while serving in a public office. Imagine a politician telling lies - good heavens. That's not even funny.
How long can this confounded farce rattle on? No - it's OK - I don't really want to know.
Saturday, 8 June 2019
eBay - Definitely the End This Time
I recently posted a sad tale about an apparent hack of my PayPal account - I managed to take quick action on it, but it seems that not quite everything was sorted. I now find that I have been subjected to what is becoming a common scam - someone hacks into your PayPal account, inserts a fake address so that they can link to your eBay account, and then - as they have done in my case - sets up a fake listing for sale on your eBay account.
First I knew about it was when I started getting emails about an "unresolved issue" on eBay - someone wanted a refund because I had failed to deliver a set of security cameras which they had bought from me. Erm - security cameras? The listing was still active - it seems I had sold 1 out of 50 sets available. No money had reached me though PayPal. The purchase took place on 22nd May - the following day I got a request from eBay to change my password, and did so, though they sent me no details which might have put me on my guard. I changed my PayPal password as well (again), at the same time.
This morning I had a phone conversation with an eBay security man, based in the Philippines. He was very good and very reassuring - they were already aware of the problems with my account, and are in the process of cleaning everything up - the eBay listing has now been taken down, I have no need to worry about refunding anything - the purchaser (if there is one - that may be a scam too) will be reimbursed. The law enforcement authorities will be notified about the incident as appropriate. Was there anything else he could help me with?
Well, no - nothing else really. I will be closing my eBay account as soon as they let me back into it. That's enough - I've been muttering about this for ages - I think that God has now sent me a sign.
Watch your step. As it happens, I had kept a note of the full name and address which was hacked into my PayPal account, back in April. It is a guy named Nikolaj, who lives in London. Interestingly, the security cameras were supposedly for sale in London. OK - there's lots of people in London, but the man in the Philippines tells me the incidents are related. The security people were quite impressive, though I'd have been more impressed if they'd sorted the matter out before I reported it.
That's it for me - eBay now officially stinks - I have had good use out of it for 15 years, but for me its time is up. There are too many fifth-rate crooks hanging round the internet, trying to suck some blood out of the system.
Cheers, Nikolaj - I do have your full ID and address, and I do have friends in London. I shall fantasize about that for a bit. Incidents like this always (well, "always" is a bit strong - I'm very careful, and pretty savvy, and have had very few problems in the past) leave me feeling ashamed for being stupid. With hindsight, other than changing my passwords rather more frequently, I don't think I could have done much better.
Friday, 24 May 2019
Hooptedoodle #333 - Fake News
I thought it would be best to put this note out now, to avoid any baseless rumours.
I have come under some pressure recently to put myself forward as a prospective leader of the Conservative Party - it was even suggested that it might be expected of me. I have thought about it long and hard for at least seven minutes, and I regret to say that I shall not be doing this; I do not wish to disappoint anyone, but I think it is only right and proper to be straightforward about the matter.
(1) I have become alarmed at what I can only see as falling standards of behaviour in the House of Commons. I have to assume that the emergence of a reality-TV celebrity as President of the US has triggered an appetite for the proceedings of the British Parliament to be converted into a reality-TV show in its own right. Whatever, I feel I might find the working environment to be insufficiently dignified. Call me old-fashioned if you wish.
(2) I fear that my Thursday bridge evenings would cause something of a clash with the requirements of the job, and I could not live with myself if I did not give the thing my full attention.
(3) The timescale is very short - there is not enough time for a proper lobotomy, even a private one.
(4) I have some difficulty with the idea that the internal squabbles of the Party are somehow more important than the fate of the nation. I accept that the problem appears to be my own, but, again, I would find this a distraction.
Thus - with all due thanks and sincere appreciation to those who have encouraged me to stand for election, I confirm that I shall not be doing so. I am confident that whoever does get the job will do at least as well in the role as I could have done, so I extend to them my best wishes.
If anyone feels the wish to suggest some suitable candidates, I would be delighted to hear from them.
I have come under some pressure recently to put myself forward as a prospective leader of the Conservative Party - it was even suggested that it might be expected of me. I have thought about it long and hard for at least seven minutes, and I regret to say that I shall not be doing this; I do not wish to disappoint anyone, but I think it is only right and proper to be straightforward about the matter.
(1) I have become alarmed at what I can only see as falling standards of behaviour in the House of Commons. I have to assume that the emergence of a reality-TV celebrity as President of the US has triggered an appetite for the proceedings of the British Parliament to be converted into a reality-TV show in its own right. Whatever, I feel I might find the working environment to be insufficiently dignified. Call me old-fashioned if you wish.
(2) I fear that my Thursday bridge evenings would cause something of a clash with the requirements of the job, and I could not live with myself if I did not give the thing my full attention.
(3) The timescale is very short - there is not enough time for a proper lobotomy, even a private one.
(4) I have some difficulty with the idea that the internal squabbles of the Party are somehow more important than the fate of the nation. I accept that the problem appears to be my own, but, again, I would find this a distraction.
Thus - with all due thanks and sincere appreciation to those who have encouraged me to stand for election, I confirm that I shall not be doing so. I am confident that whoever does get the job will do at least as well in the role as I could have done, so I extend to them my best wishes.
If anyone feels the wish to suggest some suitable candidates, I would be delighted to hear from them.
Sunday, 12 May 2019
Bavarians - Quick Succession
Yesterday I finished off a second Bavarian artillery unit, within a day or so of the first - clearly Bavarian artillery batteries, in the time-honoured traditions of the No.27 bus, travel around in widely-spaced pairs.
I'm pleased with this. This is a battery of Fuss-Artillerie, that of Hauptmann Peters, according to my official OOB, and they are equipped with a 12pdr and a howitzer. The figure castings are Kennington, and instantly recognisable as such, and the ordnance, as with the previous unit, are splendid little pieces by Franznap - correct Manson pattern and everything. I painted these chaps myself, as you may be able to tell (!). Kennington figures are businesslike and cheerful - this lot show a good attitude, though I am not sure about the officer. It could be that he is disappointed to find that he has been drafted into the artillery, since he had been intended for the infantry for a while, but he looks rugged enough. What's all this shouldered-sabre stuff, though? Is he intending to add some emphasis to his commands to the gunners, is he just posturing, or is he preparing for the enemy cavalry to come too close for canister shot?
In passing, I have read recently that Peter at SHQ, who sadly has some major health problems, is proposing to cut down his activities to concentrate on the core WW2 ranges, so the 20mm Kennington Napoleonics and ECW figures will be looking for a new owner. I certainly hope that goes well. Kennington figures are rather taken for granted, and seldom eulogised, in my experience, but they are good little sculpts, for the most part, they are cheaply and readily available (they have been absolutely invaluable to me in my constant search for 20mm figures over the last 15 years or so) and Peter and his colleagues offer a quick, friendly service. If they become unavailable - and I certainly hope they do not - I think we would (yet again) come to realise what we have lost. A familiar story?
Topic 2 - adventures with highwaymen
This one may ramble about a bit. Recently, Prof De Vries noted my references to Bob the Postie (our mailman), and wondered what had happened to Jamie the Postie - was he all right? Had he moved on to better things?
That's easily answered. Bob the Postie is, in fact, one and the same bloke as Jamie; he now wishes to be called Bob. No idea why - none of my business - perhaps his name is Jamie-Bob - who knows? We have known Bob for a long time now - when we first knew him (as Jamie) he must have been about 20, I guess. He did once blot his copybook by crashing into my wife's car, but that was a long time ago now, and we are friends again. He is cheerful, and reliable, and a good guy to have on our side.
Yesterday lunchtime I did remarkably well on the mailing front. The Bold Bob brought me packages from Uncle Tony Barr at ERM (who had performed heroics, despite the flu, in making me some custom-sized MDF bases, cut from his last-ever sheet of 3mm) and from Wonderland (the Edinburgh model-shop, who got some paint to me within 12 hours of my having ordered it online). The direct result of this fine service is that I managed to complete the Bavarian battery featured in the first part of this post. Really can't complain at all about that.
Less happily, I now realise that my shipment of posh new paint brushes from Cass Art has been committed to the tender mercies of Hermes, the infamous courier. Every day I am invited to refer to the continuing online tracking record for my parcel, which is, as usual, bullshit.
Let me say right away that I realise that the individual delivery drivers who work for Hermes are all self-employed, and the job must be a nightmare, so I am not completely unsympathetic, but our situation here does not lend itself well to operators like Hermes. I live on a farm, in a rural area. In the time it takes to drive a couple of miles out here with my single parcel, the driver can earn far more by delivering a cluster of packages to a larger village, so we tend to get bounced off the end of the day's job list.
Cass Art were prompt, and courteous, and informed me very quickly and correctly when they sent my order out. The downside is the appearance of the word "Hermes" in the detail. Hermes offer a comprehensive tracking service, and their drivers are equipped with a terminal (smart phone?) so they can update the records in real time. Out here in the sticks, that is just an irritant. There is much reference to "attempted delivery", or to people not being at home. On occasions we have stayed in specially to receive a parcel - often, I suspect, the driver has no intention whatsoever of coming around here, he simply enters junk into the system to keep the courier firm off his back. Our current record is about 1 week elapsed, when Hermes promised (and failed) every day to deliver some clothes my wife purchased from a well-known online shop (no - not that one). Every day there was a new line added to the story, and all of it was untrue.
Of course, this is not really a big problem at all. If Cass Art had said to me "we'll try to get your parcel to you sometime next week" I wouldn't have batted an eyelid, but if someone from Hermes tells me a lie every day about how he has bravely been defeated in his attempt to reach my house, or how I failed to be in (although I have supplied safe-place instructions to the seller and I can see the complete length of the lane from the Real World from my windows) then that is just silly. We never see the Hermes drivers, by the way. If and when they ever get as far as our door, by the time we answer the doorbell the driver is gone - there is just a package on the doorstep. They can't spare the time.
This means, of course, that if we happen to be on holiday in Florida and it is monsoon season here, my parcel of (say) expensive books will lie there undisturbed, unless Bob the Postie very kindly puts it safely in the woodshed.
The pros and cons of the "gig" economy. Discuss.
| Kennington gunners, Franznap guns - Hauptmann Peters' battery |
| All ready to keep the Austrians off our terrace |
| Extra picture, included for anyone who is enthusiastic about waste-management systems |
In passing, I have read recently that Peter at SHQ, who sadly has some major health problems, is proposing to cut down his activities to concentrate on the core WW2 ranges, so the 20mm Kennington Napoleonics and ECW figures will be looking for a new owner. I certainly hope that goes well. Kennington figures are rather taken for granted, and seldom eulogised, in my experience, but they are good little sculpts, for the most part, they are cheaply and readily available (they have been absolutely invaluable to me in my constant search for 20mm figures over the last 15 years or so) and Peter and his colleagues offer a quick, friendly service. If they become unavailable - and I certainly hope they do not - I think we would (yet again) come to realise what we have lost. A familiar story?
Topic 2 - adventures with highwaymen
This one may ramble about a bit. Recently, Prof De Vries noted my references to Bob the Postie (our mailman), and wondered what had happened to Jamie the Postie - was he all right? Had he moved on to better things?
That's easily answered. Bob the Postie is, in fact, one and the same bloke as Jamie; he now wishes to be called Bob. No idea why - none of my business - perhaps his name is Jamie-Bob - who knows? We have known Bob for a long time now - when we first knew him (as Jamie) he must have been about 20, I guess. He did once blot his copybook by crashing into my wife's car, but that was a long time ago now, and we are friends again. He is cheerful, and reliable, and a good guy to have on our side.
Yesterday lunchtime I did remarkably well on the mailing front. The Bold Bob brought me packages from Uncle Tony Barr at ERM (who had performed heroics, despite the flu, in making me some custom-sized MDF bases, cut from his last-ever sheet of 3mm) and from Wonderland (the Edinburgh model-shop, who got some paint to me within 12 hours of my having ordered it online). The direct result of this fine service is that I managed to complete the Bavarian battery featured in the first part of this post. Really can't complain at all about that.
Less happily, I now realise that my shipment of posh new paint brushes from Cass Art has been committed to the tender mercies of Hermes, the infamous courier. Every day I am invited to refer to the continuing online tracking record for my parcel, which is, as usual, bullshit.
Let me say right away that I realise that the individual delivery drivers who work for Hermes are all self-employed, and the job must be a nightmare, so I am not completely unsympathetic, but our situation here does not lend itself well to operators like Hermes. I live on a farm, in a rural area. In the time it takes to drive a couple of miles out here with my single parcel, the driver can earn far more by delivering a cluster of packages to a larger village, so we tend to get bounced off the end of the day's job list.
Cass Art were prompt, and courteous, and informed me very quickly and correctly when they sent my order out. The downside is the appearance of the word "Hermes" in the detail. Hermes offer a comprehensive tracking service, and their drivers are equipped with a terminal (smart phone?) so they can update the records in real time. Out here in the sticks, that is just an irritant. There is much reference to "attempted delivery", or to people not being at home. On occasions we have stayed in specially to receive a parcel - often, I suspect, the driver has no intention whatsoever of coming around here, he simply enters junk into the system to keep the courier firm off his back. Our current record is about 1 week elapsed, when Hermes promised (and failed) every day to deliver some clothes my wife purchased from a well-known online shop (no - not that one). Every day there was a new line added to the story, and all of it was untrue.
![]() |
| A work of fiction - this is the eBook version, of course. The driver has never been near my house, nor has he had any such intention, I guess |
This means, of course, that if we happen to be on holiday in Florida and it is monsoon season here, my parcel of (say) expensive books will lie there undisturbed, unless Bob the Postie very kindly puts it safely in the woodshed.
The pros and cons of the "gig" economy. Discuss.
Monday, 6 May 2019
A Fool and His Money - a Brush with Disaster
Since I was getting some hobby-type odds and ends from Amazon, it seemed a reasonable idea to get some cheapo brushes while I was at it. A lot of my brushes are coming to the end of their useful careers, so it does no harm to stock up a bit.
I've moaned about this before, but I have a very frustrating personal history with brushes. On occasions I have treated myself to something really expensive, and have usually been disappointed. Some of the best brushes I ever had were second-quality bin ends from Hobbycraft - very unpredictable. Eventually I get to a position where I have a jam jar full of scruffy wrecks, plus a couple of remaining brushes that will still form a decent point, and then one night I lose a bristle or two, and things start to get a bit tense!
I've been reading some forum or other where the dudes were discussing which budget-priced modelling brushes in the UK were good, reliable value for money. Based on this, I added a couple of packs of Humbrol Palpo brushes to my Amazon order. Sable hair, one each of sizes 000, 0, 2 and 4, about £8.50 or so for a pack of 4 brushes.
They arrived. I think the only relevant word I can think of is "crap". I've had a go with very hot water and the posh brush cleaner, and the only difference is they are probably slightly cleaner crap now.
Very uneven mixture of bristles, trimmed to length with a hatchet, apparently, lumps of dressing on the ends of the tufts. No likelihood of a passable point. I am disgusted.
Don't ever be tempted to buy any of these, chaps.
***** Late Edit *****
This follows on from some of the comments. Here are a couple of real veterans. When I was clearing out my parents' house, a few years ago, I came across a lot of my father's old painting equipment. Back in the 1970s he did a lot of hobby painting. He was a very fair watercolourist - a bit photographic for my taste, but pretty good in a draughtsman-like way. He also tried his hand at oils. I found masses of spoiled tubes of paint, and a lot of old brushes. Most of the brushes disintegrated when I checked them - the hair had perished and broken. Amazingly, though, some of them were OK.
I found quite a few of these - they had been used, but not much, so I acquired them for my soldier painting. These are Winsor & Newton, as you see (I've included one side of each brush in the picture - they were all marked like this on the two sides. They are also, I'm faintly embarrassed to observe, stamped by HM Stationery Office in 1966, so I guess my dad liberated them from the office stores when he worked for HM Government.
The big fellow is worn down - evidence of my dry-brushing resin thatched roofs? The No.1 has probably slimmed down a bit, but is still one of my in-use brushes. Now, I'm not saying these have been used continuously since 1966 - clearly that's not so - but they have been used regularly by me in the last couple of years and there is no sign of degradation of the sable since manufacture 53 years ago.
Interesting?
********************
I've moaned about this before, but I have a very frustrating personal history with brushes. On occasions I have treated myself to something really expensive, and have usually been disappointed. Some of the best brushes I ever had were second-quality bin ends from Hobbycraft - very unpredictable. Eventually I get to a position where I have a jam jar full of scruffy wrecks, plus a couple of remaining brushes that will still form a decent point, and then one night I lose a bristle or two, and things start to get a bit tense!
I've been reading some forum or other where the dudes were discussing which budget-priced modelling brushes in the UK were good, reliable value for money. Based on this, I added a couple of packs of Humbrol Palpo brushes to my Amazon order. Sable hair, one each of sizes 000, 0, 2 and 4, about £8.50 or so for a pack of 4 brushes.
| Old, scruffy brushes are always a nuisance, right? The joke is that these are the new, unused ones - admittedly before I tried to train and clean them a bit - but they were no better afterwards |
| Humbrol "Palpo" brushes, made in China - marketed by Hornby Hobbies (once of Binns Road, Liverpool). Unspeakable rubbish |
| A last look. It would be infantile to put them straight in the bucket, but this evening I have been painting with my old brushes. I can feel the donkey's ears growing out of my head |
Very uneven mixture of bristles, trimmed to length with a hatchet, apparently, lumps of dressing on the ends of the tufts. No likelihood of a passable point. I am disgusted.
Don't ever be tempted to buy any of these, chaps.
***** Late Edit *****
This follows on from some of the comments. Here are a couple of real veterans. When I was clearing out my parents' house, a few years ago, I came across a lot of my father's old painting equipment. Back in the 1970s he did a lot of hobby painting. He was a very fair watercolourist - a bit photographic for my taste, but pretty good in a draughtsman-like way. He also tried his hand at oils. I found masses of spoiled tubes of paint, and a lot of old brushes. Most of the brushes disintegrated when I checked them - the hair had perished and broken. Amazingly, though, some of them were OK.
I found quite a few of these - they had been used, but not much, so I acquired them for my soldier painting. These are Winsor & Newton, as you see (I've included one side of each brush in the picture - they were all marked like this on the two sides. They are also, I'm faintly embarrassed to observe, stamped by HM Stationery Office in 1966, so I guess my dad liberated them from the office stores when he worked for HM Government.
The big fellow is worn down - evidence of my dry-brushing resin thatched roofs? The No.1 has probably slimmed down a bit, but is still one of my in-use brushes. Now, I'm not saying these have been used continuously since 1966 - clearly that's not so - but they have been used regularly by me in the last couple of years and there is no sign of degradation of the sable since manufacture 53 years ago.
Interesting?
********************
Thursday, 25 April 2019
Coming Up - Ney Day?
There's a great deal made of anniversaries these days. The great thing about an anniversary is that we know when it's coming round, so the media people can prepare something in advance, during slack periods. Sometimes these anniversaries can seem a bit contrived, or they commemorate something that isn't very interesting, or that nobody has heard of (which is a special case of "not very interesting", I suppose).
Recently it was the 54th anniversary of my Uncle Harold accidentally reversing into the lady next door's car, in Bromborough. The stature of this anniversary is limited by the fact that very few folk who knew of the incident at the time are still alive, and those who are cannot remember it anyway, so it is unsatisfactory on a number of counts - not helped by the fact that no-one was hurt.
No - we have to aim higher. This post is all the Duc de Gobin's fault, by the way, since he reminded me of the classic Waterloo film from 1970. Subsequently I was browsing around the subject of the movie - online, like - and I discovered that Dan O'Herlihy, the Irish actor who played Marshal Ney in the movie, was born on 1st May 1919. If Steiger will always be the true Napoleon to many of us, then for me O'Herlihy will forever be the iconic Ney, the man who told the Emperor to abdicate, for goodness' sake. You can't get any more important or influential than that - though it surprises me that I never saw O'Herlihy, as far as I know, in anything else. It has been suggested that they had to pay so much to secure the services of Steiger, Plummer and Orson Welles in the Bondarchuk movie that they economised by filling the rest of the cast with lesser lights - first-rate actors who were less well-known. And Terence Alexander, of course.
Anyway, this means we are fast approaching the 100th anniversary of the birth of The-Man-Who-Played-Ney. I don't expect this to get into the BBC Radio 4 world news on 1st May, so I guess I'll have to commemorate Ney Day privately. I can always watch Waterloo again, of course, with a mug of cocoa, but I'd welcome any good ideas about a suitable way of celebrating.
Any thoughts?
To get myself in the mood, here's the classic opening sequence, in which we discover that Napoleon's Marshals were trained to speak in turn, in the best traditions of panto, that Marshal Soult was a Scotsman (played by an Italian actor), that Napoleon wore specs and that Marmont was a rotten scoundrel. Great stuff. Love it.
***** Late Edit *****
Scrapbook stuff, courtesy of the Interweb.
Ney (Michel, not Dan the Man) was born in Saarlouis, which these days is in Germany - his birthplace is now an Italian restaurant, but the situation is rescued by the fact that its address is 13 Bierstrasse, which is more like it. I don't know if the restaurant is the original building, but since his father was a cooper, it is no surprise that they had a big cellar.
Here's young Michel in the 4th Hussars, 1792.
*******************
Sunday, 14 April 2019
Hooptedoodle #331 - Zeno and the Comb-Over
Zeno of Elea is credited with being the
originator of a number of famous paradoxes - of which Achilles and the Tortoise is probably the best known. I reckon Zeno
was something of a one-trick pony - a lot of his repertoire was based around a
single concept - the problem of visualising an infinite number of infinitesimal
events. Once you've got the hang of that, his stuff is probably not worth
spending much time on. At least not if you have as little imagination as I do.
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| Zeno |
His Paradox
of the Millet Seed may be described - and debunked - very briefly thus:
A single millet seed, when it falls, makes
no sound; however, if you drop a ton of millet seed it will definitely make a
noise. The implication is that a very large number of zeroes adds up to
something greater than zero, which Zeno identified as obvious nonsense. Without
getting into a philosophical discussion of infinity, this is flawed from the
outset. When Zeno says that a single seed makes no sound, what he means is that
we/he cannot hear it. There will be some disturbance of the air, even for one
seed, so the point at issue becomes the threshold of human hearing, which,
apart from anything else, varies from individual to individual. For example,
you could drop a large iron bucket next to my mother and she would be unaware
of it.
Achilles
and the Tortoise is rather different, but again
depends on the infinite divisibility of time and space. Achilles (who must have
been a hustler) challenges a tortoise to a race, and gives the tortoise a
start. By the time Achilles reaches the spot where the tortoise started, the
tortoise will still be a small distance ahead. By the time Achilles has run
this additional distance, the tortoise will still be slightly ahead. And so on
- forever, says Zeno. Achilles will never catch him.
Where this puzzle falls down is that the
infinite series of incremental distances during which Achilles fails to
overtake the tortoise does not add up to the full race distance - it adds up to
the point at which Achilles catches up with the tortoise. It does not require a
celebrated ancient scholar to understand that there will be some point in the
race at which Achilles catches up with his opponent, and that at all points
before that he will not yet have caught him. After that, of course, Achilles
disappears into the distance. The process of summing to infinity the decreasing
steps only serves to mask what is obvious anyway, though it does raise the separate
issue that Achilles would have to be careful to make sure that he didn't give
the tortoise too much of a start, or philosophy as we know it would never
recover.
A related, everyday paradox is that of the application
of a simplified description to something which is really rather complicated. The
example I have in mind is the concept of baldness. A man with no hair at all is
obviously bald. A man with a lot of hair is not bald. A man with exactly one hair
on his head is probably bald, but what about two hairs, three, 5374? - how many
hairs does he require to stop being bald? The problem here is obviously one of
terminology; "bald" is a rather crude on/off term - we really can't
consider this seriously without some definitions and a lot of counting. For
practical purposes, if someone describes someone else as bald, then they
normally mean "the impression I got was that they didn't have much
hair", which is not very precise but seems to serve for most everyday
situations, without wasting too much time on the matter.
There are many such words - what is a
"tall" person? Taller than average? Taller than me? Very unusually
tall? There is a whiff of percentiles and survey data in there which is all a
bit wearying, so we don't normally worry about it.
Tall.
OK.
Enough. For today's post I only wish
to consider the matter of baldness, so I guess we are in Zeno's millet seed
country.
I visit my hairdresser every four or five
weeks - five if it was cut very short last time. Normally a Thursday morning.
My haircuts are quick and inexpensive, since I do not have much hair. Every
time, we have the same discussion, as I glower in the mirror at the thinning
section at the front - I ask her if she thinks it is yet time to get rid of
that front bit. Not yet, she says - it is still hanging in there. If at any time I find that we are performing some trick to
pretend that I have more hair than I really have then a klaxon will sound and
we will stop and reconsider. Similarly, I have asked my wife to kill me if she
ever finds me performing any kind of comb-over.
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| We'll be in touch |
Reasons? Well, just personal baggage
really. Mr Trump is a shining illustration of why we shouldn't do this,
probably, but this train of thought is really triggered by the fact that today
is the eleventh anniversary of my dad's death, and my memories of my dad are
always dominated by the adventures to which he subjected us with his damned
hair. If I must learn just one thing from my father, please let it be that.
Before anyone feels moved to offer
condolences on this sad anniversary, please don't bother. My dad and I were
never very close, unfortunately. He was a very clever man, but a very
difficult, uncomfortable one. If it were possible to be given no capacity for
empathy at all then he must have been close. With my dad, you could agree with
him, and do what he said, or you could disagree with him, and fight about it,
or you could do what I did, and move some hundreds of miles away, to get on
with your own life. I don't feel bitter about any of this, by the way -
everyone is different, everyone has to deal with things in his own way.
Eventually, of course, my parents became
old and less able to cope, so they moved up to Scotland to be near me, which was
the right thing to do, and I am happy to believe they enjoyed their last years up
here together, and I certainly had to get involved in a lot of running around
to help them, which is probably as it should be. My mum is still alive, and is now safely resident in a splendid little care home very close to my house,
with which we are very pleased, but my dad's passing, though it was a shock at
the time, meant mostly that my life suddenly became a lot more
peaceful, and of course I got the opportunity to shuffle one more place up the
queue for the Reaper.
Oh yes - the hair. When I was a little boy
it became apparent that my dad was going bald. He must have been in his 20s. He
had a bald patch on the crown of his head which he concealed by combing his
hair over the patch, and keeping it in place with Brylcreem. All was revealed
when he was sitting at the kitchen table, studying for his engineering exams -
while his mind was elsewhere, he would wind a pencil into the long bits of
hair, and tease them out to remarkable heights. Hey. My dad was baldy.
As the years passed, though most of this
was out of my sight, this became more of a problem. By the time he moved up
here, he must have had very little hair on top of his head, but he attempted to
conceal this with the most complex edifice of hair from the edges. This was
combed across from all directions - if you stood behind him, there was a
strange horizontal parting above his neck, from which the hair headed upwards.
These partings were all over the place, with hair heading in unnatural
directions - the impression was that his cap probably screwed into place. He
also was a devotee of Grecian 2000
dye - I don't know what shade he used, but the effect on his (presumably white)
hair was of a vague nicotine stain - like pee-holes in the snow. And everything
was cemented into place to combat the forces of gravity and weather with
copious amounts of Harmony hairspray.
![]() |
| This progression does not seem to include my dad's shade |
The cap was the life-saver, of course, but
it took him ages to get ready to go anywhere, and he always had his comb with
him.
![]() |
| What could go wrong? |
On one occasion he had what was probably a
mini-stroke - he fell into a flower-bed in his garden, and just disappeared. By
the time the ambulance arrived he was indoors and sitting up and obviously
recovering, but the ambulance could not leave until he had found his comb and
arranged his hair. While they were waiting, the ambulance driver suggested to my mum that
they might cut his hair in hospital, if only because of the impossibility of
keeping it up to spec.
She, for the one and only time I ever
heard, very quietly said, "Let's hope they cut it, and we can all get some
bloody peace".
I'd never thought about it before, but she
must have been required to help with this palaver. She must have washed and
dyed his hair for decades - he certainly wouldn't have been able to do it all
himself. She must also have cut it for him, since any self-respecting
professional would just have refused. She was, in fact, an accomplice. Poor
woman - presumably this was just to keep him happy.
I wonder what it was he thought he was
doing? By this time, I guess it had just become a ritual (not unlike 50mm x
45mm MDF bases, I suppose), which had become somehow essential. Whom did he
think he was fooling? What (to be blunt) did he think he looked like?
If my mother had been so inclined, or if he
had had any friends (he didn't), then someone might have said, years earlier,
that having a weird, nicotine-coloured pavlova on top of his head did not give
the impression of hair, not to anyone, and that from the back, in fact, all
this effort produced something not unlike a polar bear's arse. Not a worthwhile
investment of time. Ridiculous. And all that combing and spraying while the
world waited to go out for a walk was pointless.
Eventually, after a long and unusually
healthy life, he started getting some angina problems. His medication was not
very successful, he had periods of irregular pulse which were causing some
alarm, and it was decided to take him into hospital in Edinburgh for tests. I
was there when he left in the ambulance - once again there was something of a
drama while he prepared his hair, but he was sitting up in the ambulance when he went.
The tests didn't go very well, and he was
transferred to the Royal Infirmary, outside the south side of Edinburgh. While
there he became ill, and then died, quickly and without much discomfort. All
over. It was unexpected - a bit of a shock, to be sure.
The next morning I drove to the Royal
Infirmary to sign the paperwork, and to collect my dad's possessions, which
were in a couple of plastic carrier bags. His clothes, his spectacles, his
shoes, his raincoat, his toilet bag, his cap, his wallet and the eternal comb. That seemed
a bit weird - that's all you get back. I dropped the comb in the car park while
I was stowing the bags, and I just put it in the litter bin. I was not going to
waste any more time on that, thank you.
When my mum became too ill to live at home
any more, I cleared her house. By this time my dad had been dead for nearly nine
years, but his coiffure was still very much in evidence. All the armchairs and
much of the bedding were stained with Grecian
2000 - very recognisable shade of Old
Nicotine - and I found warehouse-sized cartons of Harmony aerosols in the cupboard in the spare room and in the
attic.
And I bet he thought that no-one ever knew.
Your secret is safe with us, Baldy.
Saturday, 6 April 2019
Hooptedoodle #329 - The Ascent of Schlimm - Part (2) of an occasional series
The Grand Duke yawned, and as he did so he
realised that he had actually dozed off for a moment. It was very warm in the
room. He opened his eyes and jumped with fright - there, on the other side of
his enormous desk, stood his Minister of Finance, young Edelbert Schlimm.
"What a fright you gave me, Schlimm! -
I was pondering the matter of the floral theme for this year's Watchmakers'
Guild Festival. I thought perhaps daffodils?"
"Highness, we did daffodils last
year. In fact, I believe it has been daffodils every year for the last eleven
festivals - something to do with avoiding the cost of repainting the
floats."
"Ah yes - as I recall there was only
one float involved last year, with the Schweinheim Children's Choir - what
happened to the rest of the processional vehicles?"
"The festival has been downsized,
Highness, since there are no longer any watchmakers and only 27 people attended
the last one, including the parents of the choir."
"Yes - now I remember. All right - why
don't we go for daffodils this year?"
"Excellent idea, Highness."
The Grand Duke stared at his Minister,
musing over the remarkable change in his appearance in recent months. He was
impeccably suited and groomed, his shirt and his shoes were hand-made, in his
lapel he wore the scarlet and white silk ribbon of the Grand Knight's Cross of
the Order of Sankt Tobias and - the Grand Duke winced to observe - he had a
discreet diamond stud in his left ear. He was also surprisingly suntanned,
considering it was only April and the fog and rain of what passed for Spring in
the Duchy did not usually cause sunburn.
"Reminds me - I sent for you. Where
have you been?"
"I'm sorry, Highness, I have been very
busy."
The Grand Duke frowned.
"But I sent for you over a week ago,
where have you been?"
Schlimm was impassive.
"Complicated - mostly I've been in
Dubai, I think. Yes - mostly Dubai. What was it you wanted?"
"A number of things I was concerned
about - if you hold on a moment, I have a written note here somewhere."
Pushing his reading glasses back up his
nose with his index finger, the Grand Duke scrabbled around among the chaos on
his desk for a few seconds, and produced a crumpled scrap of paper, which he
smoothed out and studied for a little while.
"Right," he said, "for a
start, who are all these foreigners wandering about the castle? They are
frightening the kitchen staff, and last week a couple of them walked in here
and started measuring things. Never said anything, just wrote down some notes
and sketched drawings in an exercise book. I was trying to watch TV. Are they
here to redecorate?"
"No, Highness - they are here in
connection with the sale and lease-back agreement I told you about."
"You never told me any such thing, not
that I remember - also these fellows don't speak any German - they're English,
I think. What's going on?"
"I apologise, Highness, I was sure we
had discussed the matter. The castle is far too big for the needs of your
family; the idea is that we sell the place for redevelopment - you and the
Ducal Family and your immediate entourage will live in a modern apartment in
the West Wing, with a nice view across the swamp."
"But my family have lived here for many
centuries, Schlimm - what is to happen to the place? - and what about all the
paintings, and the furniture, and the collection of ceremonial armour, and the
stuffed animals, and everything else? This is my personal history, our glorious
heritage."
Schlimm bowed slightly.
"With respect, Highness, personal history
is a luxury appropriate only to those who can afford it. I am expecting a
report from the preliminary survey shortly, so we may discuss it then, if that
suits you. The current suggestion is that the remainder of the castle buildings
will be developed as luxury apartments. The architects are very interested in
the paintings and the other artifacts - if there is anything they can't use
they have offered to sell it for us on eBay. There are various ideas for the
use of the Great Park - I am trying to retain a small garden for you and the
Duchess. They may even stretch to a greenhouse."
The Grand Duke passed a shaking hand over
his haggard face.
"A greenhouse? I remember none of this, Graf
Edelbert. Have you mentioned it to the Duchess? Is she in favour of these
plans?"
"The Duchess has been away skiing
since before the discussions started, Highness - I had hoped you might raise
the matter with her when she returns? There are also some interesting ideas
involving the sale of her hunting lodges to an American hotel chain. The
concept is that they would make very attractive health spas."
The Grand Duke removed his glasses and
closed his eyes - he really did not feel well at all.
"Schlimm, I think I'm going to have to
rest for a while. Before you leave, can I just mention the subject of
beer?"
"Beer, Highness? - shall I get you a
beer?"
"No, Schlimm, I just need you to
explain something to me. Recently I suddenly fancied a beer - haven't had one
for a while - and asked old Tauber to bring me a bottle of the Alter Drosselberger, my favourite. It
was horrible - like horse urine. Also, the label was in English. I was so upset
I rang a phone number which was printed on the label, and I got through to a
helpdesk which I think was in India."
"Well, Highness, the Alter Drosselberger is selling very
well, the brewing company is one of our more successful enterprises. I am sorry
if you received a bad bottle."
"But we used to make the finest beer
in Europe, one of the few things of which we could still be proud - it won
international medals and everything. Good God, Schlimm, I own this brewery - my
family has owned it since the 17th Century. I am going to visit the place and
find out what's going on - I shall sort them out, you'll see - tradition still
counts for something!"
Schlimm stared at his immaculate shoes, and
aligned the crease in his Italian trousers.
"In fact, Highness, you are not
strictly the owner of the brewing firm these days. You do retain a minority
stake in the company, but you have only 15% of the voting shares. My brother
and I have 80% between us. The actual Blickhof brewery is long gone - it is now
a shopping mall and an indoor swimming pool and sports centre. The recipe for
the beer was updated to cater for modern tastes, and the contract for
production of the stuff is the subject of a tender every two years. Recently
there has been a change - for a while the beer was being made and bottled in
Burton on Trent, but it has now moved to a firm in Turda, Romania. No doubt it
will move again if we get a more competitive offer."
There was a silence. The Grand Duke sat
with his eyes closed for a while, and Schlimm was beginning to wonder if he had
fallen asleep again when he eventually spoke, slowly and without any
discernible emotion.
"I really do not understand. The fact
that we made the best beer in Europe was crucially important - it was a source
of national pride, and it was a noble tradition. This is not just a matter of
revenue or earnings yields, it is a question of self-respect, and of ethics. If
we can get our beer made more cheaply elsewhere, so that you and your brother
make even more money, then I congratulate you, but I think you have missed the
point. If I phone up to complain about the horse urine beer, I speak to a man
in India and we cannot understand each other. That sums up exactly how much we have
come to care about our customers and our traditions. I am appalled."
Schlimm smiled condescendingly, but the old man
did not see him because his eyes were still shut.
"Your ideas, Highness, are as
traditional and as outmoded as is much else about the Duchy and the way it
runs. 'Pride in our product' is a very old-fashioned philosophy. Nowadays
commercial ventures exist only to make as much money as possible for their
owners. That is their primary - arguably their only - function. If our beer
really tastes like horse urine then we will sell less of it, and we will make
less money - that's when we know we have to do something about it. That is how
it works nowadays. Your ideas of quality and pride are worthy and they do you credit,
but, like the dinosaurs, they are things of the past. If you can get no help
from our helpdesk number, then you should be delighted that you are dealing
with a company which wastes as little money as possible on such
matters..."
He broke off here, his voice ending on
something of a squeak, because the Grand Duke had taken an old army revolver
from his desk drawer, and was very deliberately taking aim at him.
![]() |
| The redevelopers are here |
Saturday, 23 March 2019
Hooptedoodle #327 - The Inevitable Herring
Something has been niggling me this last couple
of weeks. Something not quite remembered, but somehow familiar, if I could just
put my finger on it.
I finally remembered a few days ago. In
about 1970 I saw a film, Spring and Port
Wine, which starred James Mason - good film, in fact - of its time. A gritty
domestic comedy set in Bolton (Lancashire, industrial North West of England),
written by the excellent Bill Naughton. [It is interesting to recall, in passing,
that James Mason was born in Huddersfield, so, even though he was always Rommel
really, he did have some credentials for a provincial role.]
Anyway - Mason plays a well-intentioned but
domineering father - very heavy - and things come to a bit of a head when his teenage
daughter (played by Susan George) turns up her nose one evening at the herring
which is served up for her tea. With much preaching about how lucky she is to
have a herring at all, and how many people would be delighted to have such a
herring, the father decrees that it will be served up again tomorrow, and the
next day - there will be no choice. The damned herring will appear daily (presumably)
until she eats it.
Any bells ringing? At the time, we all
thought the father was a bit pig-headed, but what did we know? Nowadays, this
would be regarded as a valid negotiation, apparently. You will be offered the
same fish every day until you realise how wrong you have been to refuse it, or until
the alternatives become so unbearably awful that you change your mind.
I can't remember how the story line
developed - must watch it again - I can't recall if there was a
backstop Plan B to cover the possibility that she never ate it. Presumably the
father knew he was right, and that right would prevail. Strength and stability.
Must try and get hold of the film - I need to remind myself what happened...
***** (Very) Late Edit *****
OK - OK - a number of people sent me chasers - it seems that they, too want to know what happened in the end. Very sketchy synopsis follows.
Things become more tense, the herring disappears, mysteriously, both daughters leave home (the younger one, she with the herring problem, turns out to be pregnant). The mother pawns the father's best overcoat to get some cash for the younger daughter, the father finds out, goes ballistic and the mother moves out too.
Not before time, the father has some kind of inspirational moment, and he determines to change - he realises that his family are far more important than his principles. The film ends before he makes much progress, but we can see where he's headed.
As for the herring, it seems likely that the kid brother gave it to the cat. At this point, I'm struggling to sustain the extended analogy, so let's drop the matter and get back to the bunker.
***************************
***** (Very) Late Edit *****
OK - OK - a number of people sent me chasers - it seems that they, too want to know what happened in the end. Very sketchy synopsis follows.
Things become more tense, the herring disappears, mysteriously, both daughters leave home (the younger one, she with the herring problem, turns out to be pregnant). The mother pawns the father's best overcoat to get some cash for the younger daughter, the father finds out, goes ballistic and the mother moves out too.
Not before time, the father has some kind of inspirational moment, and he determines to change - he realises that his family are far more important than his principles. The film ends before he makes much progress, but we can see where he's headed.
As for the herring, it seems likely that the kid brother gave it to the cat. At this point, I'm struggling to sustain the extended analogy, so let's drop the matter and get back to the bunker.
***************************
Tuesday, 12 March 2019
Hooptedoodle #326 - Missing Pips - Today's Pointless Conundrum
This is a puzzle that occurs to me at almost exactly 7am each day. Just how exactly is, I guess, the essence of the puzzle.
I have a digital radio next to my bed (it's actually the one that used to be in the kitchen, until the volume knob became temperamental - you know how it goes). At 6am each day it switches on BBC Radio 4 - the "Today" programme on weekdays - so that I may update myself on the latest glories of Brexit and Trump and all the other things which guarantee that I may start my day as depressed as possible. At 7am it switches off - the assumption being that either I'm already up and functioning, or else I have probably had enough delight and happiness for one morning.
The reality, of course, is that I have set the menu on the radio so that BBC R4 will come on at 06:00 and switch off at 07:00. The radio knows what time it is because the exact time is transmitted constantly along with the programme signal - so you would expect that to be pretty accurate. I mean, we are speaking of the speed of light here.
Astonishing, really - in the digital age we just expect everything to be spot on. It's worth remembering that it was only the coming of the railways which necessitated some standardisation of clocks throughout Britain, and, before that, the coming of scheduled stagecoaches was a big push towards standardisation of the calendar - prior to that it didn't matter a huge amount if your village had a different date from the village down the road. Now we have so much accuracy we can't even remember why it's important.
I digressed there - sorry.
The point of my post is that each morning the radio switches itself off just as the "pips" of the time signal are being broadcast. I don't know much about the pips, really, except that they've always been part of listening to the radio - even when it was a wireless. Six pips - 5 short ones and a long one - like this...
Originally, I think these were generated by the Greenwich observatory, but for the past 30 years or so they have just been a service provided by the BBC - they are timed exactly so that the long final pip indicates the start of the next hour.
Because my radio is busy switching itself off at just about the time the BBC are broadcasting the 7-o'clock pips, I only hear the start of the sequence - I never hear the sixth pip. OK - we may debate accuracy and stuff like that, but the number of pips I hear before the radio cuts out varies. Yes - that's right - calm yourself now - I don't think it's anything to worry about, but the number of pips I get to hear varies mostly (randomly) between two and four - very rarely five. Never six. The BBC, which ensures accurate precision of the timing of the sixth pip and which broadcasts the time continuously so that my radio knows exactly where we are up to - yes, that BBC - manages to either fool my radio very slightly or get the timing of the audio signal slightly wrong - maybe both - every morning.
A couple of seconds is near enough for me, of course, but I don't really see how this works. Is it possible that there is some buffering or delay in the programme transmission? - I have occasionally noticed that if you switch two DAB radios to the same station they may not be quite in sync - this is especially true, I find, if you listen to the digital radio service on your TV at the same time as the same station is connected via the DAB unit.
Anyone understand how this works? Is it possible that the BBC are going to the trouble of broadcasting an exact time signal which isn't actually accurate by the time it reaches the listener? Imagine the potential chaos - stagecoaches could be crashing into each other at crossroads all over the country.
Disaster.
Anyone know how this works?
I have a digital radio next to my bed (it's actually the one that used to be in the kitchen, until the volume knob became temperamental - you know how it goes). At 6am each day it switches on BBC Radio 4 - the "Today" programme on weekdays - so that I may update myself on the latest glories of Brexit and Trump and all the other things which guarantee that I may start my day as depressed as possible. At 7am it switches off - the assumption being that either I'm already up and functioning, or else I have probably had enough delight and happiness for one morning.
The reality, of course, is that I have set the menu on the radio so that BBC R4 will come on at 06:00 and switch off at 07:00. The radio knows what time it is because the exact time is transmitted constantly along with the programme signal - so you would expect that to be pretty accurate. I mean, we are speaking of the speed of light here.
Astonishing, really - in the digital age we just expect everything to be spot on. It's worth remembering that it was only the coming of the railways which necessitated some standardisation of clocks throughout Britain, and, before that, the coming of scheduled stagecoaches was a big push towards standardisation of the calendar - prior to that it didn't matter a huge amount if your village had a different date from the village down the road. Now we have so much accuracy we can't even remember why it's important.
I digressed there - sorry.
The point of my post is that each morning the radio switches itself off just as the "pips" of the time signal are being broadcast. I don't know much about the pips, really, except that they've always been part of listening to the radio - even when it was a wireless. Six pips - 5 short ones and a long one - like this...
Originally, I think these were generated by the Greenwich observatory, but for the past 30 years or so they have just been a service provided by the BBC - they are timed exactly so that the long final pip indicates the start of the next hour.
![]() |
| Here's the 8am signal - impressively accurate |
A couple of seconds is near enough for me, of course, but I don't really see how this works. Is it possible that there is some buffering or delay in the programme transmission? - I have occasionally noticed that if you switch two DAB radios to the same station they may not be quite in sync - this is especially true, I find, if you listen to the digital radio service on your TV at the same time as the same station is connected via the DAB unit.
Anyone understand how this works? Is it possible that the BBC are going to the trouble of broadcasting an exact time signal which isn't actually accurate by the time it reaches the listener? Imagine the potential chaos - stagecoaches could be crashing into each other at crossroads all over the country.
Disaster.
![]() |
| It'll all end in tears |
Anyone know how this works?
Wednesday, 6 March 2019
Hooptedoodle #325 - The Worry of Being British
My wife passed me this - if you have seen it before, apologies. I have no idea where it comes from, but it is of rather higher quality than most similar efforts, and it is so long since any aspect of Britishness made me actually smile that I thought it might be worth sharing.
The theme, of course, is the list of behaviours that being British forces on us - tick them off if they apply, but don't tell anyone what you're doing, naturally...
The Worry of Being British
• Worrying you’ve
accidentally packed 3 kilos of cocaine and a dead goat as you stroll through
“Nothing to declare”
• Being unable to
stand and leave without first saying “right”
• Not hearing someone
for the third time, so just laughing and hoping for the best
• Saying “anywhere
here’s fine” when the taxi’s directly outside your front door
• Being sure to start
touching your bag 15 minutes before your station, so the person in the aisle
seat is fully prepared for your exit
• Repeatedly pressing
the door button on the train before it’s illuminated, to assure your fellow
commuters you have the situation in hand
• Having someone sit
next to you on the train, meaning you’ll have to eat your crisps at home
• The huge sense of relief after your perfectly valid train ticket is accepted by the inspector
• The huge sense of relief after your perfectly valid train ticket is accepted by the inspector
• The horror of
someone you only half know saying: “Oh I’m getting that train too”
• “Sorry, is anyone
sitting here?” – Translation: Unless this is a person who looks remarkably like
a bag, I suggest you move it
• Loudly tapping your
fingers at the cashpoint, to assure the queue that you’ve asked for money and
the wait is out of your hands
• Looking away so
violently as someone nearby enters their PIN that you accidentally dislocate
your neck
• Waiting for
permission to leave after paying for something with the exact change
• Saying hello to a
friend in the supermarket, then creeping around like a burglar to avoid seeing
them again
• Watching with quiet
sorrow as you receive a different haircut from the one you requested
• Being unable to pay
for something with the exact change without saying “I think that’s right”
• Overtaking someone
on foot and having to keep up the uncomfortably fast pace until safely over the
horizon
• Being unable to turn
and walk in the opposite direction without first taking out your phone and
frowning at it
• Deeming it necessary
to do a little jog over zebra crossings, while throwing in an apologetic mini
wave
• Punishing people who
don’t say thank you by saying “you’re welcome” as quietly as possible
• The overwhelming
sorrow of finding a cup of tea you forgot about
• Turning down a cup
of tea for no reason and instantly knowing you’ve made a terrible, terrible
mistake
• Suddenly remembering
your tea and necking it like a massive, lukewarm shot
• Realising you’ve got
about fifty grand’s worth of plastic bags under your kitchen sink
• “You’ll have to
excuse the mess” – Translation: I’ve spent seven hours tidying in preparation
for your visit
• Indicating that you
want the last roast potato by trying to force everyone else to take it
• “I’m off to bed” –
Translation: “I’m off to stare at my phone in another part of the house”
• Mishearing
somebody’s name on the second time of asking, meaning you must now avoid them
forever
• Leaving it too late
to correct someone, meaning you must live with your new name forever
• Running out of ways
to say thanks when a succession of doors are held for you, having already
deployed ‘cheers’, ‘ta’ and ‘nice one’
• Changing from ‘kind
regards’ to just ‘regards’, to indicate that you’re rapidly reaching the end of
your tether
• Staring at your
phone in silent horror until the unknown number stops ringing
• Hearing a recording
of your own voice and deciding it’s perhaps best never to speak again
• The relief when
someone doesn’t answer their phone within three rings and you can hang up
• Filming an entire
fireworks display on your phone, knowing full well you’ll never, ever watch it
again
***** Late Edit *****
Interesting - my unofficial publicist, Tango01, the famed international masturbator and creep, saw fit to share this post with the infinite number of monkeys which constitutes PMT. I think the joke - unpretentious as it is - was probably worth sharing.
The majority of them are American, of course, and missed the point in grand style. Much half-remembered WW2 mythology about what the US and British may have said (or believed?) about each other. I'm always pleased to welcome visitors from PMT, naturally, but it surprises me that, since they are the coolest dudes on the planet, visitors from these lofty heights never deign to leave a comment, or say hello - they simply go back to giggling behind the bikesheds amongst themselves. Yes it is depressing, but rock on anyway, Tango. Maybe your head will get better one day.
********************
***** Late Edit *****
Interesting - my unofficial publicist, Tango01, the famed international masturbator and creep, saw fit to share this post with the infinite number of monkeys which constitutes PMT. I think the joke - unpretentious as it is - was probably worth sharing.
The majority of them are American, of course, and missed the point in grand style. Much half-remembered WW2 mythology about what the US and British may have said (or believed?) about each other. I'm always pleased to welcome visitors from PMT, naturally, but it surprises me that, since they are the coolest dudes on the planet, visitors from these lofty heights never deign to leave a comment, or say hello - they simply go back to giggling behind the bikesheds amongst themselves. Yes it is depressing, but rock on anyway, Tango. Maybe your head will get better one day.
********************
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