Napoleonic & ECW wargaming, with a load of old Hooptedoodle on this & that


Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Thursday, 31 March 2016

Hooptedoodle #215a

Following on from the previous post...

Obviously I never knew Asad Shah on a personal level, and would probably not have crossed the street to make his acquaintance, so I am wary of becoming overly emotional over his passing, but something somewhere seems very wrong.

It may not even be appropriate, since the context was the Irish Republican movement in Ulster, and the outside influences which supported it, but on the grounds that it follows a generally relevant theme of peace and forgiveness, and anything but radicalism, I thought I'd post this.


I don't propose that we should all hold hands round the campfire and sing Come-Ba-Ya, but I love this song, and (silly old fool) usually get tears in my eyes when I hear it. For folk music enthusiasts, this is a great spot-the-faces session - some real heroes in this clip.

Friday, 4 March 2016

Hooptedoodle #211a - Icarus Allsorts

Further to yesterday's quotation - thanks for emails and comments - it was, as most people stated, a line from Joni Mitchell's Amelia (which I think is from the Hejira album).


Here's Joni, live at Wembley in 1983, with a little help from Michael Landau near the end. Joni is a little bit like Marmite - most people either love her or hate her - I've always been a big fan, though I confess she was sometimes a bit of a shrieker in her early years. I'm intrigued by this clip - if it is from a published DVD then it is one I can't trace - I know there is a CD of the show, but I've never seen it on film before. If you know anything about a DVD, I'd appreciate a nudge.

This is Joni at the height of her powers, I guess, and she had a hell of a band for that tour - apart from Landau, there was Russell Ferrante on keyboards (he of Yellowjackets fame), her husband, Larry Klein, on bass and Vinnie Colaiuta on drums. Monsters.

I was gently taken to task for my reference yesterday to the use of a Google search to trace the quote - it was rightly suggested that my turn of phrase was inelegant and impolite and not at all appropriate. I apologise unreservedly; the wording was not in keeping with normal blogging etiquette, and I shall take care in future to avoid all reference to Google. Sorry about that.

[Boring muso bit: if anyone plays guitar and is wondering what on earth Ms Mitchell is doing here, it should be noted that, as with everything else, she has her own way of tuning the thing - it is tuned C-G-C-E-G-C, which gives an interesting sound, though it is not recommended if you wish to play Albeniz, or Wes Montgomery for that matter.]

Friday, 14 August 2015

Hooptedoodle #186 - Alice Is a Singer

This is not Alice - it is someone else
On Wednesday I received a piece of spam email from Alice, from whom I have had no contact for some years (I am delighted to say). There seems to be a virus of some type going about which sends junk portal-scam mail to the entire contacts list on someone’s smartphone, and this is why I heard from Alice. Well, of course, I didn’t really hear from Alice at all, but I was reminded of her.

Alice is a singer, of sorts. Mostly I try to keep my musical activities out of this blog, because I don’t really expect them to be of much interest and they are almost certainly an irrelevance too far. However, as in all walks of life, I have met some colourful people there as well.

Alice represents that much-abused sub-class, the girl who fancied being the singer with a band, but didn’t have the talent for the job. She has the complete profile – pleasant, untutored voice, no grasp at all of musical theory or even of rhythm, and deplorable taste. Oh – and dreadful, unpredictable tantrums. She must have been encouraged over the years by proud parents, envious school friends, drunken workmates, heartless people in the pub on holiday; I doubt that she needed much encouragement - I am confident that she sings like a megastar in the shower. It’s just that she has, to use a technical musical term, not a bloody clue. Not a Scooby.

This is how Alice sees herself, I believe...
I am lucky enough to have met and played with some excellent female singers – Carol Kidd and Maggie Mercer and Melanie O’Reilly were class acts by any standard – but as a species girl singers seem to have more head-crashers and plate-throwers than you would expect. Working with one also involves the more immediate problem that songs you have known and played all your life in the written key of F are suddenly in A-flat (etc).

Alice used to talk about her love of “jazzy” music – which usually got about as far from the Radio 2 mainstream as Billy Joel, Barbra Streisand, Dionne Warwick, Crystal Gayle. I asked her if she liked, or listened to, Billie Holiday or Ella, and she sort of glazed over and said she would like to sing Every Time We Say Goodbye. So we ran through it – disaster; she could sing the notes, but the phrasing of the first line is tricky – attempt to sing it from instinct and you can easily find you have lost a bit and are now a bar ahead of the band (especially if, like Alice, you are unable to hear the chord changes), with the inevitable traffic accident approaching. I commented that she couldn’t just sing a line of a song, take a breath and immediately start the next line – it was necessary to fit in with the structure, so sometimes she might have to count (silently, of course!) “two – three – four – one” or something and then come in.  Glazing-over time once again – she had no idea what I was on about.

I first became associated with Alice because she was rehearsing with a pianist who is a friend of mine, and he asked me could I help out – apart from anything else, perhaps I could sort out some of the horrible arrangements in her book and also (let’s be honest here) I was friendly with a pro double bass player who would be even more of an asset than me if he wished to join in. I had some spare time available, so I got involved.

Ouch.

We did a couple of small jobs in local pubs which went OK – Alice was very unsure of herself, and had a fragile, lost quality which went down rather well. But she very quickly turned into a budding celebrity, a monster.

We did a biggish show in a hotel ballroom in a nearby town. She was terribly nervous – especially because her boyfriend’s parents had bought tickets. So she drank about three-quarters of a bottle of red wine before we went on. Horrifying – my bass-playing chum was making his first appearance with us, and he was so furious that he has not spoken to me since. We scraped through the show, largely on sympathy, I think. But Alice was convinced she was now on a rocket ship to stardom. We held a series of grinding rehearsals to sort out and strengthen her repertoire – in fact “rehearsals” is not quite the right term here. A rehearsal is, or should be, a polishing-up of material which you already know. These rehearsals consisted of tentative attempts at hopeless projects – often the same things we had screwed up the week before – and there was an increasing tension, plus numerous hissy fits. At one point the pianist and I were trying to correct the chords in her train-wreck arrangement of Autumn Leaves, and she suddenly started shouting that we should stop faffing about, and just get on with playing it. We protested gently, on the grounds that until we had a sensible version of the piece we had nothing to get on with, and on the more accessible grounds that the audience would know these songs well enough to realise that we were buffoons.

Next appearance was at an outdoor concert at a local seaside resort, in aid of a national charity. It was pouring with rain. I don’t know if Alice had been at the refreshment again, but she was unbelievable. She missed all her starting notes, sang verses in the wrong order, missed sections out - all our rehearsed endings and key modulations vanished without trace. She even introduced a couple of songs with drivel such as “we’ve only practised this song once, so it may not go very well!” – she was, of course, correct, as the forewarned listeners will have recognised. She was also a bit unfortunate in that the rain rendered some of her lyric sheets unreadable. I can clearly remember staring out at the audience, all with their anorak hoods up, sitting in the downpour looking as glum as I felt, and I was hoping like hell that no-one there knew me or recognised me. A paper bag for my head would have been welcome – the only saving grace was that a girl singer gets about 90% of the attention, so the sidemen are pretty much invisible. Even so, I have rarely spent an hour wishing more passionately that I were somewhere else entirely.

I left fairly abruptly at the end, and I phoned the pianist and said I was very sorry, but I really didn’t want to do this any more. Alice was very cross indeed, and was going to give me a piece of her mind for letting them down, but it came to nothing, and she probably didn’t have a piece to spare.

She is still around – she has a Facebook page which promotes her cabaret act, which she still insists is jazzy, and she seems to get work, so maybe she got better. I don’t really care. I hope her phone virus problem clears up OK.

In affectionate tribute to all the wannabe girl singers over the years who have struggled with the gulf between their dreams and their ability, here is the wonderful Jo Stafford, in the guise of the well-intentioned but awful Darlene Edwards, who provides a perfect demonstration of all the trademark clichés. Enjoy.


Friday, 12 December 2014

Hooptedoodle #156 – Holidays with Clues

Themed Holidays - for loonies?
I was in Edinburgh this morning – I had a hospital appointment, so had to be on the 09:26 from our local station. Left my car at my mother’s house (private superstition – just in case the hospital keeps me in overnight – you know how it is…) and walked through a light snowstorm to the station. Blooming freezing, I can tell you.

When I got to Edinburgh it was still very cold, but the sun was shining, and Princes Street was looking as good as it can these days – very attractive, if you like mobile phone shops. Saw the famous tram – not so shiny-new now, but still exciting – I must go on it sometime soon – maybe out to the airport and back.


I had just a little time to kill, and as I walked along Rose Street I passed the rear of British Home Stores, and was very surprised to be reminded they have a restaurant – well, a “caff”, really. I haven’t been in, nor thought about, a BHS restaurant for maybe 25 years – in a moment of nostalgic perversity, I went in and ordered a cup of coffee – perverse only in the sense that I recall that BHS used to serve the worst coffee I ever tasted. I read my book for a little while in there – it was warm, the place was almost empty, and it was entertaining to watch the staff not quite managing to put up a big Christmas tree. Lots of shouted instructions and things falling. The coffee was undrinkable; it is reassuring in these days of uncertainty and slipping standards to know that some traditions, at least, are kept safe for us.

The hospital visit was trivial in the end – they took me early, as soon as I arrived, a quick X-Ray and I was out again. On the way back up to the station, my No. 29 bus was stuck in traffic, and a sign in a shop window in Stockbridge caught my eye. It was obviously a travel agency, but I couldn’t quite make out this sign. Eventually the bus reached the window, and I confirmed that the sign did, in fact, say “Painting and Pilates Holidays in Italy”, which I had previously discounted as meaningless – or at least unlikely. Painting and Pilates? Very strange – I can think of a whole pile of things I would like to do in Italy – especially on a cold Scottish morning – but wouldn’t have thought of pilates. Hmmm.

“Wandering Around Gawping at Tourist Sites in Paris”? That would work.

“Getting Drunk and Falling Over in Spain”? Not for me, certainly, but there appears to be a big demand for it.

I recall that, years ago, a widowed friend of my first wife went on a very expensive Cookery Holiday in Provence. A party of comfortably-off British women of a certain age all went on a conducted bus tour of Provence, watched local chefs in action and had a go themselves. Like the old school domestic science cookery lessons, they had to pay extra for the ingredients, and I understand that the holiday turned out to be more about the tastes and opinions of the English gauleiterin who organised and led the tour than it was about food in Provence. It was, in short, an exercise in rather shrill discipline and control, conducted in a foreign country at considerable cost to the attendees. Maybe we could have predicted this – I don’t know.

In truth, some of my own holidays over the years have been less than perfect – it might have helped if we had been given more clues up front – “Playing Boardgames in a Rain-Sodden Tent in Brittany for 2 Weeks” – “Trying to Get a Replacement Alternator for a Very Old Ford Cortina in the Jura Mountains” – these and a few others would have been useful, but it isn’t really like that in the world of holidays.

What this subject really reminded me about was James Last Holidays [what?]. Ages ago, a friend of mine at work, and his wife, were passionate about the James Last Orchestra, and used to spend a lot of money going to see them whenever they came to Edinburgh. If you are unfamiliar with the JLO then you have my congratulations – well done. I understand that James (real name Hansi) is still alive and going strong, aged 85. In his field, he was almost uniquely successful – for many years he ran a big touring orchestra, with all the top instrumental and vocal soloists he could get his hands on, added rows and rows of very attractive girl violinists dressed in low-cut lace blouses, and charged an absolute fortune for tickets. Old Hansi had completely cornered the market in exquisite bad taste – everything they played was faultless, arranged and engineered to perfection, and it stank to heaven. If you liked over-the-top big-band versions of Presley hits, or excerpts from Mozart’s horn concerto with bass guitar and castanets, or grindingly sickly romantic ballads, the JLO was for you. It was, absolutely, a product of its age; a number of really top-quality dance-bands came out of Germany in the 1950s and 1960s – Bert Kaempfert’s was another – and what they specialised in was superbly engineered LP recordings of covers of other people’s hit songs – particularly on the German Polydor label. Elderly audiophiles who had a little money to spend (i.e. who owned a “stereogram” – remember those? – they were the ones you could hear from next door) bought their LPs by the lorry-load. Hansi made a great many people happy – especially his bank manager and the West German economy – so good luck to him.

Yeah - right...
Anyway – back to my story. My work colleague talked me into paying some obscene amount for two tickets, and my wife and I joined him and his wife at a JLO concert at the Playhouse. Unspeakable. Couldn’t be faulted in any way except that it made me feel physically unwell. Somehow we got mugged into going to two further concerts on subsequent tours – each dearer than the previous one, and all the old ladies in the audience used to call out to the singers, who blew kisses and so on, while Herr Last posed and minced and almost conducted, and played to the ancient gallery like a true old showbiz ham. We couldn’t turn down the offer of tickets because – well, because we didn’t want to offend anyone. How much evil in the world is carried on because someone didn’t want to cause offence? After two further helpings I eventually found some unbeatable reason not to attend the next one, and then we were, mercifully, off the roller.


The audiences at these shows were something to behold – all dressed to the nines, and all loving it, blue rinses and all. The relevance to my story about holidays is that you could actually go on a James Last holiday – if you were a registered fan. The programmes were full of adverts. You could go on a cruise from Bremen (Last’s birthplace), and there would be music playing all day, every day (guess whose?), and there would be dances at night featuring JLO tribute bands who had once received a pay-cheque from Hansi himself, and during the days there would be walking tours of Bremen, to visit sites associated with Hansi’s childhood etc, where you could buy signed souvenirs, and there would even be some gigantic organised swapmeets, where you could buy and sell your rare JLO albums and memorabilia. After all these years, I still cannot think of a better working definition of Hades.

Of course, Father Time catches up with all of us in the end, but the thought of what those James Last Holidays might have been like still chills me to the marrow. For me, the man is best revered for his starring role in a famous musician’s joke:

Q – What is the difference between the James Last Orchestra and a buffalo?

A – A buffalo has the horns at the front and the arse at the back.

Saturday, 9 August 2014

Hooptedoodle #145 - Fever


Had an active musical week - on Tuesday night I was privileged to see the Eric Bibb band at the Fringe by the Sea festival - unbelievable - best concert I've seen in maybe 20 years. Lots of stuff going on all week.


A propos of nothing, really, apart from the fact that it is good music for a warm evening and makes a change from Peggy Lee, here's Maria Muldaur's pleasantly quirky version of Fever:


Cool or what?